MXR® M104 Distortion+ Guitar Pedal
MXR® DISTORTION+
M104
The Distortion+ delivers everything from cool overdriven blues tones to huge ’80s hard rock distortion.
THE LONG STORY
This little yellow box is responsible for those great distortion sounds heard on so many classic recordings. Set the Distortion control low and crank the Output knob to drive the front end of your amp for cool blues tones, or max out the Distortion knob for classic early ’80s hard rock tone. There still isn’t any distortion unit on the market that sounds like the Distortion+.
This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).
https://youtu.be/2GLMhHthq3M
Dunlop M68 Uni-Vibe Chorus / Vibrato Pedal
If you listen to classic rock, then you’ve heard the wonderful and awe-inspiring sound of he Uni-Vibe Chorus/Vibrato. It’s one of the most iconic effects in music history and that’s not an exaggeration. Since the late ™60s, players pushing the limits of the guitar have used it to blow minds and reconfigure the tonal and textural palette of music. The geniuses over at MXR have just remastered the classic effect for today’s guitarist but in a smaller footprint while maintaining all of the gorgeously chewy, Leslie-sounding goodness. With its simple three-knob interface, you can dial up the sound to your liking without problems. First, use the VIBE switch to select either Chorus Mode”dry signal mixed with pitch-shifted signal”or Vibrato Mode”only pitch-shifted signal. Then, use the LEVEL control to set the effect volume, the SPEED control to set the sweep rate, and the DEPTH control to set overall intensity. The Uni-Vibe comes in a Phase 90-sized housing”a fraction of the size and weight of the original Uni-Vibe pedal”and features true bypass switching. Perfect for hitting the road with lush, swirly madness.
- Take your chorus effect from subtle to extreme
- Much more pedalboard-friendly than the original
- Maintain your tone with true bypass switching
- Iconic Chorus/Vibrato true to the classic late ’60s tone
- Simple three-knob interface
- True bypass
Dunlop M267 MXR Octavio Fuzz
Made famous by Jimi Hendrix, the Octavio Fuzz and its touch-responsive octave-up saturation continue to be employed by modern players, from straight-up rockers to low ’n’ slow doomsayers. For the first time ever, that iconic effect has joined the MXR standard line. The layout is as simple as it ever has been—just set the Output and Fuzz controls to your desired volume and intensity, and allow your picking and plucking dynamics to coax out the pedal’s legendarily searing, synth-like tones. Explore the furthest reaches of silicon saturation in a trusted vessel. Get yourself an MXR Octavio Fuzz.
Pigtronix BWP Bob Weir’s Real Deal Acoustic Preamp Pedal
Bob Weir’s Real Deal acoustic preamp by Pigtronix provides crystal-clear, super-loud acoustic guitar tone while faithfully maintaining the organic wooden sound of the instrument like no other pedal has ever done.
FEATURES
– Single (TS) or Dual-Source (TRS) input
– Balanced (TRS) Input for External Mic
– Low-noise 24db / octave optical filters
– Crossover sweeps from 300Hz to 3kHz
– 60db Gain on Microphone channel
Phantom Power & Phase Inversion
18VDC Power Supply Included
Orange Fur Coat Vintage Fuzz w/Adjustable Octave
VINTAGE FUZZ
Loosely based on the vintage Foxx Tone Machine, the Orange Fur Coat Fuzz takes its inspiration from the great fuzz pedals of the 70’s.
The Fur Coat gives you a fully controllable octave fuzz pedal. Separate switches mean you can choose between Fuzz or Octave Fuzz. The controllable Octave up fuzz means you can bring in the fuzz to whatever level you need and the EQ allows you to boost your Treble or Bass. This truly is a fuzz you control.
This is our only True Bypass pedal. This is because a Fuzz is better at the beginning of the chain where it interacts directly with your guitar. Placing the pedal further into your signal chain or after a buffer will give the fuzz a more distorted tone.
VINTAGE FUZZ:
The Orange Fur Coat fuzz can be used into a clean amp or an amp with some hair. When used into an overdriven amp, it creates a unique, thick “fur coat” of vintage fuzz.
ADJUSTABLE OCTAVE:
Something quite rare, rather than simply being able to switch it on/off, the Fur Coat adds octave up as you increase the octave control.
LOW POWER CONSUMPTION:
The Orange Fur Coat fuzz draws very little current (much less than 10mA) allowing for long battery life. Use a regulated 9-12V DC centre-negative power supply.
CONTROLS (LEFT TO RIGHT):
VOLUME, EQ, OCTAVE, FUZZ
CURRENT DRAW:
9V: 3MA
12V: 5MA
STOMP FUNCTIONS:
ACTIVATE OCTAVE, ACTIVATE FUZZ
UNBOXED DIMENSIONS (W X L X H):
9.5 × 6.5 × 13CM (3.7 X 2.6 X 5.1″)
UNBOXED WEIGHT:
524G (1.15 LBS)
BOXED DIMENSIONS (W X L X H):
11.4CM X 14.8CM X 8CM
BOXED WEIGHT:
722G (1.59LB)
Joyo JF-328 Nebulous Phase Mini Guitar Effect Pedal
JOYO JF-328 Nebulous Phase mini Guitar Effect Pedal
The JOYO JF-328 Nebulous Phase mini Guitar Effect Pedal has landed and what a JOY-o it has been trying it out.
The nebulous phaser splits the audio signal into 2 separate paths. One is unaffected while the other passes through 4 all pass filters and a LFO (Low Frequency Oscillator), these two signals are then mixed back together. As the Nebulous has 4 of these all pass filter it makes it a 4stage phaser, just like a certain orange ancestor ;). The phase filters the guitar signal by creating a series of peaks and troughs in the frequency spectrum. The position of the peaks and troughs of the waveform being affected is then modulated, adjusting speed, width and feedback. The phase effect varies over different times, adjusting the phase width (the gap between the peaks), creates a sweeping effect that can sometimes be confused with flanger..
As well as the plethora of 70’s rock, funk and pop recordings, phase is commonly found on 70s keyboards and remains a classic effect. We got great results placing the nebulous phase after the molo tremolo, something oscillating before adjusting the volume. Using the shape shifting molo trem, you will be creating anything from a subtle modulated effect to widen your girth, or something that will take you out of this world..
Listen to Small Faces, Brian May, Radiohead, Eddie Van Halen.
and watch the demo.
Outlaw Dumbleweed D-style Amp Overdrive Pedal
Inspired by one of the most sought-after (and expensive) sounds in rock & roll
Complete, dynamic range of drive tones, from subtle break-up to robust, fuzzy dirt
Gain, Tone and Volume controls let you dial in your drive tone with precision
Voice control adds an extra dimension of control, allowing you to darken or brighten the overall color of your tone
Dunlop JHW1 AUTHENTIC HENDRIX™ ’69 PSYCH SERIES FUZZ FACE® DISTORTION
Jimi Hendrix was a pioneer on the frontier of fuzz, experimenting with numerous flavors and shades throughout his career to imbue his riffs and leads with just the right attitude and texture. The Fuzz Face Distortion, in all of its incarnations, was the fuzz pedal that he used more than any other. The Authentic Hendrix ’69 Psych Series Fuzz Face Distortion captures two different flavors of Jimi Hendrix fuzz tones in a single mini housing with all the appointments today’s players demand. In its default mode, this pedal discharges the aggressive silicon-based crunch that that Jimi Hendrix used in the latter part of his career. Hitting the SI/GE switch engages the warm, smooth saturation of germanium-based fuzz that he used in the early years. This pedal also uses buffered bypassing by default, allowing for a greater range of tones and full cooperation with wah pedals such as the Jimi Hendrix Cry Baby Wah. The tonal purists out there will be happy to know that a Buffer switch allows for true bypass switching. It all comes in an MXR mini housing dressed in the trippy, kaleidoscopic designs of award-winning UK-based design crüe ILOVEDUST.
Dunlop JHW4 AUTHENTIC HENDRIX™ ’69 PSYCH SERIES BAND OF GYPSYS® FUZZ
The Jimi Hendrix Band of Gypsys Fuzz is based on a mysterious Fuzz Face Distortion that Jimi Hendrix used at several iconic shows between 1969 and 1970, most notably the Band of Gypsys performance. Red with white knobs, this particular fuzz sounded like a completely different animal from any of the other Fuzz Face pedals in his arsenal, snarling with an aggressive, biting tone. The pedal itself has been lost to history, but its unmistakably unique sound lives on in recordings. Our engineers narrowed the sound down to a version of the Octavio® circuit that didn’t have that pedal’s famous octave-up effect.