Focusrite SCARLETT-8I6-3RD-GEN 8-in / 6-out USB Audio Interface
A COMPACT 8-IN 6-OUT AUDIO INTERFACE FOR THE HARDWARE MUSIC MAKER Sitting on the desks of more producers than any other, the Scarlett range of audio interfaces means studio quality sound for more music making machines than any other. 8i6, with its dual mic-pres, fixed-line I/O and MIDI, gives you just the right connectivity to easily bring your hardware music making setup into the computer world. PLUGGED IN, SWITCHED ON Plug in and produce; all your instruments, all the time. With two 3rd Gen preamps, six fixed line-ins and four balanced outs – for synths, drum machines and looping in hardware effects – 8i6 is ready to record when you are. Spend more time playing and less time plugging in. YOUR TRACKS ARE 30 YEARS IN THE MAKING We’ve been making mic preamps for 30 years, and the 3rd Gen mic pres are the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. Our decades of experience mean Scarlett sounds just like you. THIS IS YOUR CUE Focusrite Control makes it simple to route your audio and cue mix, loopback and monitor mixes, from your Mac®, PC, iPad®, iPhone® or iPod touch®. Send, stream, sample – simple. OUR TECHNOLOGY IS SOUND Incredibly reliable, Focusrite hardware won’t let you down. If, however, you come across a problem you can rely on our global support team and your two-year warranty to get it sorted. Sound.
- Six balanced line inputs, for connecting synths or other line-level audio, and four balanced outputs, for monitoring and effects sends
- Two of the best performing Scarlett mic preamps the range has ever heard – now with Air – for recording vocals
- Two high headroom instrument inputs, for plugging your guitar or bass straight in
- Loopback, for grabbing a stereo feed of any combination of hardware inputs and software playback, no cables needed, for simple sampling, streaming or podcasting
Denon DN-508S 3-way Tri-Amplified Loudspeakers
The DN-508S is a compact 3-way tri-amplified speaker capable of exceptionally high performance, suitable for a variety of roles. It is ideal for situations where no-compromise acoustic performance is needed, but where complicated setups and elaborate stacks of external equipment are not feasible or possible. It features studio-grade acoustics, luxurious aesthetics, and innovative proximity controls for flexible placement options.
Top Shelf Components
The 220-watt DN-508S provides clear, dynamic sound reproduction for mid- and small-size meeting and presentation spaces. Combining 1-inch silk dome tweeter, a 5-inch woven Kevlar® midrange unit, and an 8-inch woven Kevlar® woofer, it offers a dynamic, wide-range frequency response, even exceeding the performance of speakers found in world-class recording studios.
Well-designed 3-way speakers—like the DN-508S—use a custom high-quality midrange driver specifically intended to cover the critical middle frequencies. Most of the everyday sounds we hear—voices, instruments like saxophone and guitar, naturally-occurring sounds like handclaps, footsteps and slamming doors—are midrange frequencies. Having a driver specifically dedicated to their reproduction maximizes clarity and detail, ideal for situations requiring exceptional speech intelligibility.
The midrange and tweeter are mounted in line with each other (the tweeter is mounted at the apex of the midrange) at precisely the same point in space. Doing so means the sound of the two drivers integrates perfectly, without the audibly-distracting time/arrival distortion of widely-spaced drive units. Instead, our in-line driver design propagates its output in a seamless, uninterrupted time envelope, markedly improving definition and clarity.
A fortuitous by-product of the in-line midrange/tweeter array is that the speaker’s cabinet is no larger than that of a conventional 2-way speaker.
The woofers and midrange are made of Kevlar®. This is an ideal driver diaphragm material: Incredibly strong, stiff and light (it’s even used in military body armor). It provides an incredibly fast transient attack, excellent sensitivity and great resistance to cone flexing and resonant breakup at high power levels.
The dome tweeter uses Ferro-fluid voice coil cooling for added reliability at high power inputs, and Its woven-silk diaphragm imparts virtually no harshness or “listening fatigue” at any SPL, as is often the case with less sophisticated tweeters.
Additionally, a concave integrated tweeter waveguide in front of the midrange cone precisely focuses and directs the treble energy into the listening field, ensuring a solid and stable sonic image while minimizing the random acoustic “scatter” that would otherwise cause the acoustic image to be unfocused and indistinct.
Finally, close attention was paid to the cabinet. It’s radiused at the edges to aid in dispersion and reduce audibly-destructive edge diffraction. The cabinet’s internal bracing has been optimized to ensure that the drivers have a solid, vibration-free platform from which to launch their sound, using computer calculations to determine the woofer port’s characteristics for the best possible bass response.
High-Powered Internal Amplification
Three individual internal amplifiers provide power to each of the three speaker elements. These amplifiers are specifically tailored to the drivers they are matched with, for seamless operation and system synergy that is virtually impossible to equal using bulky, expensive outboard amplifiers and passive speakers.
Smooth-sounding, high-current Class A/B amplification (220 watts total) provides the speaker with ample headroom for even the most demanding situations. The carefully selected crossover points divide the frequency spectrum into very precise bands so that each individual driver only handles the exact frequency range where it is most accurate.
The amplifiers have specialized internal output current limiting circuitry to protect against distortion and overheating, as well as a muting on/off circuit to prevent speaker transient on-off “pops.” There is also a subsonic filter and an external mains fuse. All of this ensures ideal amplifier behavior at all times, without any unpleasant noises or distractions.
Comprehensive Control and Adjustment Capability
The versatile three-band EQ (± 6dB at 100Hz, 1kHz, 10kHz) gives you the flexibility to shape the sound to match your listening environment, without the need for expensive external equalization. The switchable low-cut filter LF cutoff switch (flat, 60Hz, 80Hz) is perfect for tailoring the speakers’ bass response for use with an external subwoofer.
A three-position proximity control adapts each speaker’s bass response for placement next to or away from walls, so its sound is always clear and well-balanced, regardless of its position in the room. Standard VESA mounting holes on the bottom panel of each cabinet expand the user’s placement options from just tabletops and shelves to walls and ceilings. Balanced XLR and ¼-inch (6.3mm) inputs ensure simple connection to common audio sources.
Total Capability
Everything Denon Professional has done in the design of the DN-508S yields a speaker of uncompromised quality, with acoustics suitable for demanding, no-compromise applications and the build quality to deliver that performance year after year.
As a finishing touch, the DN-508S comes with a detachable metal grille framed by an elegant liquid-smoke metallic trim. When powered on, a blue LED assists with placement orientation. The grilles attach to the baffle board by way of hidden neodymium magnets, which ensures a smooth, fastener-free appearance, adding the final refined touch to its sophisticated design.
Presonus StudioLive-AR8C Mixing Board w/Effects
Podcasting and home recording, simplified.
With its instantly familiar analog mixer design, the StudioLive® AR8c is the easiest way to record podcasts, live streams, and music productions. Featuring a pristine analog front-end with four high-gain XMAX mic preamps and an 8×4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, the StudioLive AR8c’s hybrid design makes it simple to record from a single intuitive console. Add in tools like a musical 3-band analog EQ, mic/line boost for low-level broadcast microphones and consumer devices, Bluetooth® connectivity, and a stereo SD recorder… and you have a broadcasting and recording powerhouse that fulfills the needs of both modern musicians and content creators.
A full-featured audio interface.
The StudioLive AR8c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the six inputs, plus the main mix, for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks—plus sound effects, loopback audio, and more. Four lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analog mixer front-end makes connecting your gear to your computer intuitive. With a USB-C compatible connection, your StudioLive AR8c is ready to use as an audio interface for nearly any computer.
The channel that does it all… even Bluetooth connectivity!
The unique Super Channel can handle four stereo sources at once and makes it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ⅛-inch stereo input to plug in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making it simple to add bumpers and sound effects to your podcast in real-time, or practice along with your favorite recordings.
The all-in-one recording package.
The StudioLive AR8c audio interface and analog mixer is tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Create multitrack recordings for your podcast or band with one click thanks to PreSonus’ Capture™ live recording software. Capture is designed to make recording easy. Create complete studio productions with our award-winning Studio One® Artist DAW to add effects, bumpers, and more. With two professional recording applications included with your StudioLive AR8c, you’re ready to record right out of the box whether you’re creating a podcast, live streaming your performance, or recording your first EP.
Record whenever and wherever you want.
Whether you’re recording a mobile interview for your podcast or you’re in the middle of a songwriting session and want to capture your ideas as quickly as they come to you, the StudioLive AR8c’s stereo SD recorder has you covered. Insert any SD/SDHC card and you’re ready to record your main mix, so you can simplify your recording process whenever you want. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD.
Effects without latency
Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more at ease while performing. The StudioLive AR8c mixer’s onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too—with or without the dry channels—to blend with your multitrack recording. Experiment in post-production to your heart’s content.
All the connections you need with a familiar look.
Packed with all the connections and controls needed to mix and record podcasts, live streams, and music productions, the StudioLive AR8c is the ultimate recording solution. The two mono channels and two stereo channels include a musical three-band EQ, plus one of PreSonus’ famed XMAX high-gain mic preamps. The USB-C compatible connector ensures your StudioLive AR8c audio interface will be the center of your studio for years to come. With high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR8c is the perfect recording and mixing solution for the modern musician and content creator.
Presonus AudioBox iTwo USB 2.0 & iPad Recording Interface
The audio interface for producers on the go.
An excellent choice for mobile musicians, sound designers, and podcasters, the USB 2.0 bus-powered PreSonus AudioBox® iTwo audio interface provides two combo mic and switchable line/instrument inputs with a high-performance mic preamplifier, so you can record synths, guitars, and anything you can capture with mics. MIDI I/O lets you connect your favorite synth or MIDI controller. The compact, ruggedly built AudioBox iTwo is compatible with Mac®, Windows® PC, and Apple iPad® and is bundled with powerful, easy-to-use recording software, making it a complete, multiplatform recording solution.
Mobile recording made easy.
The AudioBox iTwo audio interface and its software library make recording your compositions and tracks easy! Record in stereo on your iPad with free Capture™ Duo or record up to 32 tracks with affordable Capture for iPad. Then wirelessly beam your iPad tracks to our award-winning Studio One® recording and production software for Mac or Windows for editing and mixing. Or do the whole project on your laptop with Studio One. Either way, the AudioBox iTwo and its software library provide all the tools needed to record on the road and in the studio.
Loud and clear.
To record great-sounding music, you need outstanding preamps and digital converters. And to hear what you’re doing, you need a headphone amp that keeps up with the rest of the design. The AudioBox iTwo audio interface delivers it all! We’re famous for our award-winning microphone preamplifiers, and we’ve equipped the AudioBox iTwo with a new, sweet-sounding mic preamp that will capture your voice in all its glory. Clean, clear, 24-bit, 96 kHz digital converters and an ultra-loud, crystal-clear headphone output ensure you hear every detail.
Built to travel.
AudioBox iTwo is a mobile audio interface in the best sense of the term. It can sit on a tabletop or fit in the pocket of a backpack or laptop bag and works with standard iOS power accessories. Its metal chassis is built like a small tank—yet it weighs just 1.35 pounds (0.63 kg). Wherever your travels take you, whenever your creative muse calls, your AudioBox iTwo interface will be ready to help you compose and record your masterpiece. Check it out at your favorite PreSonus® dealer.
Make your own magic.
At PreSonus, we want to make sure that our audio interfaces come with everything you need to craft your own mesmerizing spells in the studio. That’s why we include Studio One Artist with every audio interface product we make. But here in Louisiana, we have a word: lagniappe. It means “a little something extra,” and it’s in that spirit that we also include the Studio Magic Suite of software with our audio interface products.
QSC TouchMix-30 Pro 32-Channel Professional Digital Mixer
TouchMix is quite simply the most powerful, compact mixer ever created. It offers the features, capabilities and sound quality of the world’s most esteemed large format consoles in a highly compact and portable package that’s small enough to be carry-on luggage. Perfect for musicians, larger bands, AV production professionals and performance venues, the TouchMix-30 Pro goes “Beyond Mixing” by offering Wizards, Presets and other beneficial tools that help seasoned audio professionals and novices alike get great results quickly and easily.
Its 32 mixing channels (24 Mic/Line, 6 Line, Stereo USB) and 16 outputs offer tremendous signal management flexibility for a wide range of applications. Advanced features such as class-A microphone preamps, Anti-Feedback and Room Tuning Wizards, two real-time analyzers (RTA), patch matrix, 32-channel direct-to-external-drive recording and DAW interface with MacOS® and Windows® computers make it equally competent as both a professional live sound and a recording tool.
The touch-and-turn interface of TouchMix allows for tactile control over fader and mixer parameters while also providing a hardware connection to mixer functions. Mixer functions and displays are duplicated via iOS or Android devices over Wi-Fi, providing both portable, wireless connectivity as well as additional control surfaces of mixer functionality.
With firmware version 2.0, TouchMix-30 Pro now supports 3 custom fader banks of 8 channels each, allowing versatile, personalized channel display for the most demanding users and applications. This latest firmware version also gives the TouchMix-30 Pro the capability to interface with select third party control surfaces with motorized faders using Mackie Control Protocol. Two modes of operation exist: TouchMix-30 Pro mixer wired to the control surface, or iOS tablet paired with the control surface and connected to the TouchMix-30 Pro mixer via Wi-Fi. The complementary new channel strips display presents controls and indicators for the selected fader group.
Key features include:
- Large (10-inch) multi-touch touchscreen offers a wealth of on-screen information while also providing confident hands-on control
- Anti-Feedback and Room Tuning Wizards simplify complex equalization tasks
- Two real-time analyzers (RTA) provide instantaneous display of channel tonal balance and room response
- Touch-and-route patch matrix provide easy “multing” and rearrangement of inputs
- 14 Aux mixes provide ample monitor configuration options
- Eight sub-groups with 6-band full parametric EQ, variable high- and low-pass filters and limiter may be linked for stereo
- A gain sharing Automatic Microphone Mixer is available for all 24 mic/line input channels
- 32-channel direct-to-hard drive record/playback — capture and recall performances without the need for an external computer
- 32-channel DAW interface with macOS® and Windows® computers allows for bidirectional I/O with popular workstation software
- MP3 playback direct from USB
- Download future upgrades directly from the Internet
CAD U49 USB Side Address Studio Microphone
The u49 side address studio mic delivers high fidelity performance for your next creative project. Equipped with a true studio grade capsule, headphone monitor, mic volume and echo signal processing – The u49 delivers smooth, articulate audio reproduction. Outfitted with a tripod stand, mounting clip, USB cable and windscreen.
- Large Format Design
- High Sensitivity Studio Condenser Capsule
- Smooth and Articulate Reproduction
- Cardioid Pattern Resists Room Noise
- High Power Headphone Monitor
- Echo Signal Processing
- Includes Tripod Stand, Mounting Clip, USB cable and Windscreen
- 2 Year Warranty
- Polar Pattern Cardioid
- Frequency Response 20Hz – 20kHz
- Sensitivity -43dB
- Max SPL 124dB
- Headphone Output 125mW
Tascam DR-05X Stereo Handheld Audio Recorder and USB Audio Interface
The new standard in stereo hand held recorders
The DR-05X is the new standard in stereo hand held recorders with its powerful features, simple interface and excellent sound quality. It is the first choice for recording meetings, music, audio-for-video, dictation, and more.
Spec description
| Recording Media | microSD card (64MB to 3GB), microSDHC card (4GB to 32GB), microSDXC card (up to 128GB) |
| File System | FAT16/32, exFAT |
| Recording File Format | |
| WAV / BWF | |
| Sampling Frequency | 44.1k / 48k / 96k Hz |
| Bit-depth | 16 / 24-bit |
| MP3 | |
| Sampling Frequency | 44.1k / 48k Hz |
| Recording Bit-rate | 32k / 64k / 96k / 128k / 192k / 256k / 320k bps |
| Playback Bit-rate | 32k to 320k bps, VBR, ID3TAG Ver. 2.4 |
| Number of Channels | 2-channel (Stereo) / 1-channel (Mono) |
| Playback speed control | 0.5 to 2.0 times (in 0.1 increments) * 44.1k/48kHz only |
| Built-in Microphone | Omnidirectional, Stereo |
| MIC/EXT IN | |
| Connector | 1/8″ (3.5mm) Stereo Mini jack (Unbalanced, Plug-in Power) |
| Nominal Input Level | -20dBV |
| Maximum Input Level | -4dBV |
| Input Impedance | 18kΩ or more (PLUG IN PWR: OFF) 2kΩ or more (PLUG IN PWR: ON) |
| PHONES/LINE OUT | |
| Connector | 1/8″ (3.5mm) Stereo Mini jack (Unbalanced) |
| for LINE connection | |
| Nominal Output Level | -14dBV (10kΩ load) |
| Maximum Output Level | +2dBV (10kΩ load) |
| Output Impedance | 12Ω |
| for Headphones connection | |
| Maximum Output Power | 20mW + 20mW (32Ω load) |
| USB | |
| Connector | USB Micro B-type |
| Format | USB2.0 HIGH SPEED |
| Built-in Speaker | 0.3W, Mono |
| Low-cut Filter | 40 / 80 / 120Hz |
| Chromatic Tuner | C1 to B6, A4 = 435Hz to 445Hz (in 1Hz increments) |
| Effector | 6 presets (Hall 1, Hall 2, Room, Studio, Plate 1, Plate 2) |
| Tripod attachment screw-hole | 1/4″ Tripod attachment screw-hole |
| Power | 2 AA Batteries, USB bus power, AC 100 to 240V (optional AC Adapter) |
| Power Consumption | 1.7 W (Max) |
| Battery Operation Time (Recording) | |
| Alkaline (EVOLTA) | approx. 17.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) |
| Ni-MH (eneloop) | approx. 15.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) |
| Dimensions (W×H×D) | 2.4″ × 5.55″ × 1.02″ / 61 × 141 × 26 mm |
| Weight | 4.1 oz. / 116 g |
Audio Performance
| Frequency Response | |
| Fs 44.1kHz | 20Hz to 20kHz, +0/-1dB (EXT IN to LINE OUT, JEITA) |
| Fs 48kHz | 20Hz to 22kHz, +0/-1dB (EXT IN to LINE OUT, JEITA) |
| Fs 96kHz | 20Hz to 40kHz, +0/-1.5dB (EXT IN to LINE OUT, JEITA) |
| Total Harmonic Distortion | 0.01% or less (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA) |
| Signal-to-Noise Ratio | 94 dB or higher (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA) |
Shure MV7 Podcasting Microphone-Silver
Inspired by the legendary SM7B, the MV7 is a dynamic microphone with both USB and XLR outputs for use with computers and professional interfaces alike. Connect via USB and explore additional set-up features and Auto Level Mode within our ShurePlus™ MOTIV app, to control your vocal tone, and distance from the microphone. With Auto Level Mode, you can let the microphone do the work for you.
Shure BETA56A Snare/Tom Microphone
Snare and tom microphone for close miking. Equipped with shock mount for sound isolation, it features a dynamic locking stand adapter for simple set-up, a steel mesh grille for durability, and a neodymium magnet for high signal-to-noise ratio.
CAD D80 Side Address Large Diaphragm Cardiod Dynamic Cabinet/Percussion Microphone
The CADLive: D80 represents a durable, easy to place design possessing a unique sound profile. Used individually the CADLive D80 may be used to create the custom sound you wish from your guitar cabinets and percussion. D80 is a Large Diaphragm Moving Coil Dynamic that delivers a reminiscent, yet updated sound profile you would look for in a dynamic microphone. The D80 has a tight Super-Cardioiod polar pattern while supplying a hot output — ensuring outstanding performance on even the loudest stages.
WeissKlang V17 Large Diaphram Condenser Microphone
The WeissKlang V17 combines reliable characteristics with an uncompromising sound and is equipped with the newest technology. It’s very versatile and perfect for all demanding applications in professional recording environments.
The V17 utilizes a discrete semiconductor circuit with superior acoustic qualities, an excellent resolution and the highest sound pressure level transmission.
With a self-noise of <8 dB-A it’s very low-noise and offers a high dynamic range.
TransHarmonic™ provides both the sonic properties of tubes and the technical properties of transistors (self-noise, dynamic range, resolution).
The newly developed and patented TransHarmonic™ technology produces subtle and harmonic overtones, which contribute to the great resolution and the musical sound of V17 – and this without the use of tubes.
The overall tone gets an unmatched three-dimensionality with full low and mid-range frequencies as well as smooth high frequencies.
The new WMK-17 capsule is gold-sputtered, least sensitive at the rear (cardioid) and edge-terminated. The frequency range of 20 – 20.000 Hz allows an optimal recording of extremely low (and high) frequencies.
The frequency response is flat with a subtle and balanced high-frequency lift from 2 kHz. Therefore the capsule captures even the finest details and works with an excellent impulse response.
The circuit and the capsule are matched, in order to get the best possible acoustic properties.
Timeless and simple
The low-resonance body of V17 is made of copper and aluminium.
The slightly roughened and powder-coated surface is very resistant and durable.
The wire mesh headgrille protects the capsule from interferences and plosive sounds.
The included MA-1 shock mount isolates the microphone from physical vibration, floor and stand noise. The low frequency absorption goes up to 18 dB.
Equipped with a soft foam layer the MA-1 provides a stable and fast mounting with adjustable angle.
The flexible rubber bands offer an ideal isolation and are replaceable.
SPECIFICATIONS
Laney AH300 AudioHub Multi Input Amplifier-15″ PA Speaker
All instruments welcome
The AH300 multi-input combo features 5 channels, 5-band graphic master EQ and Digital Delay and is designed to cater for a wide number of different instruments. Ideal for duo’s and medium sized gigs, or for bigger gigs it can be used as a personal monitor on stage! Its compact design is great for small stages and makes it easy to transport around. The AH300 delivers optimum performance, flexibility and sound quality for a wide array of audio inputs: Keyboards, E-drums, mics, acoustic and electric instruments and playback are all at home with the AH300 The principle behind the AH300 is simple: ALL INSTRUMENTS WELCOME!
JBL EON ONE COMPACT All-In-One Rechargeable Personal PA
The EON ONE Compact may be small enough to carry in one hand, but its sound is big enough to fill the room. You’ll be amazed at the 112 decibels of rich, crystal-clear sound produced across the entire range of this ultra-compact system, with deep, uncompressed bass even at high output levels. Its 8-inch woofer extends low-end response to 37.5 Hz—nearly an octave lower than other PAs in its class.
With your loudspeaker, amp, mixer, and effects all rolled up in one easy-to-carry package, you’ll lighten your load-in while maximizing the value of your gear investment.
Play more sets or teach more classes, confident in EON ONE Compact’s 12-hour battery life. Swap out batteries in seconds—no tools necessary—and quick-charge batteries in just 2.5 hours. You can even charge while the system is in use. (Additional batteries available separately.)
The EON ONE Compact offers more inputs than any system in its class. Two XLR/TRS combo jacks, one 1/4-inch hi-Z guitar input and one 1/8-inch aux input connect microphones, line-level instruments and audio playback sources; phantom power supports condenser microphones, and pro-grade preamps deliver full, rich sound from any microphone. Plus, a 1/4-inch passthrough lets you expand your system with additional EON ONE Compact units. Use the built-in headphone jack to rehearse privately or dial in presets before performances. Two high-power USB 3.0 ports allow high-speed charging of tablets, phones and select DJ devices.
For enhanced freedom and control, the JBL Compact Connect App allows you to control and stream Bluetooth audio to up to four EON ONE Compact speakers directly from your iOS or Android smartphone or tablet. With Compact Connect, you’ll have free reign over EON ONE Compact’s settings and capabilities, including its four-channel digital mixer, more robust EQ control, Lexicon effects, ducking, saving and recalling presets and much more.
Universal Audio Apollo x4 12×18 Thunderbolt 3 Audio Interface with UAD DSP
Elite Audio Conversion and Four Unison Preamps, All on your Desktop.
Apollo x4 allows musicians and producers to easily track, overdub, and mix larger projects with elite-class A/D and D/A conversion, four Unison-enabled preamps, and QUAD Core realtime UAD plug-in processing — all in a desktop Thunderbolt 3 audio interface for Mac and Windows.
Built upon UA’s 60-year heritage of audio craftsmanship, Apollo x4 confidently outperforms everything in its class with 127 dB D/A dynamic range, along with an included bundle of UAD analog emulation plug-ins and LUNA Recording System, giving you a fully-stocked analog studio, right on your desktop.
Record and mix with elite-class A/D and D/A conversion — with the widest dynamic range and lowest noise of any desktop interface
Four Unison-enabled preamps — track larger projects with near-zero latency through preamp emulations from Helios,® Neve,® API,® Manley,® and more*
Onboard UAD QUAD Core processing lets you track and mix with the included Teletronix LA‑2A and 1176 compressors, Pultec EQs, and 610‑B Tube Preamp & EQ plug-ins
Includes LUNA Recording System — a fully-integrated and inspiring music production application
Laney AH115 Powered 3-Channel PA Speaker w/Bluetooth 1×15″
Powerful and Flexible
The AH115-G2 is a powerful and flexible 2-way active speaker system with an integrated mixer and Digital Media Player, capable of taking an SD card or a USB memory stick and is fitted with Bluetooth to allow audio streaming from any Bluetooth equipped audio device: Stream your music straight from your phone! The high-impact resistant polymer construction and logical control layout means that it is easy to use and portable. The AH115-G2 combines flexibility with performance making it ideal for a wide variety of sound reinforcement applications such as conferences, classrooms, parties, musical performance, worship, presentations, seminars, sports, aerobics, DJ’s, bars and more. Whatever you need the AH115-G2 has got it covered. It is recommended for crowds of up to 200.
Bluetooth
Keep things tidy and remove the need for a cable by connecting your audio source via a Bluetooth capable device. Once you have successfully paired your device, you typically will not need to repeat the pairing process.
Jack Inputs
- XLR Inputs
- 1/4″ Inputs
Integrated MP3 Player
Alto ZMX52 5-Channel Compact Mixer
Professional Mixing Features
The ZEPHYR ZMX52 is a 5-channel mixer with all the essential inputs, outputs, and EQ for solo gigs and multimedia studios. It features one mono channel with a microphone input (with Phantom Power), balanced TRS input, and a two-band EQ. It also delivers two stereo channels with two balanced TRS inputs each. There’s even two-track inputs for things such as audio playback. The ZMX52 is the perfect compact take-anywhere professional mixer.
Versatile Inputs and Outputs
The ZMX52 is the perfect mixer for quick, easy setups with no hassle. Not only can you can plug dynamic, condenser, and wireless microphones into the first channel, but you also get two stereo channel inputs for keyboards, drum machines, and other instruments. What’s more, you can easily plug in your MP3 player, CD players, or audio from a DVD player into the CD/TAPE input. But, you also have a dedicated stereo output to send to a recorder in addition to the main stereo outputs. Choose the ZMX52 as the audio central command for your live performances, home studio, or video suite.
High headroom, low noise
Just because the ZMX52 is the smallest, most affordable mixer we make doesn’t mean you have to make sacrifices. This compact mixer brings the same standard of quality to your performances as our top-of-the-line models. All Alto Professional ZEPHYR ZMX mixers are designed with high headroom and ultra low-noise, discrete mic preamps so you always get the full dynamic range of your mix every time.
Visualize your mix
We designed every ZEPHYR ZMX mixer with your performance in mind. Sometimes venues are dark and it can be hard to see what you’re working with. Alto Professional solves this problem by not only color coding each section of the mixer, but also by using brightly colored knobs so that you can easily find what you need to adjust before you ever lay a finger on the mixer. Our blue, red and white pots are instantly easy to identify in dim lighting. LED indicators for output level, peak, and phantom power also assist in making sure that you have multiple visual cues that compliment everything you’re hearing.
TECH INFORMATION
Dimensions (WxLxH): 128.1mm x 204mm x 38mm
Weight: 1.65 lb
Alto ZMX862 6-Channel Compact Mixer
Professional-Grade Mixing With a Small Footprint
The ZMX862 is a 6-channel, 2-bus mixer with the right amount of inputs, outputs, routing, and EQ for more intimate live performance reinforcement situations. Features two microphone inputs, each with with Phantom Power, the ZMX862 also has a three-band EQ, two aux sends per-channel for external effects and monitoring, and even two track inputs for things such as audio playback. The ZMX862 is a perfect, take-anywhere professional mixer.
Versatile Inputs and Outputs
The ZMX862 is a step up from our massively popular ZMX52 that adds more inputs and an extra band of EQ as well as a switch for phantom power. Not only can you plug dynamic, condenser, and wireless microphones into the first two channels, you also get two stereo channel inputs for keyboards, drum machines, and other instruments. Plus, you can easily plug in your MP3 player, CD player, or audio from a DVD player into the CD/TAPE inputs. But, you also have two AUX sends that you can use to send streams of audio from your mixer to a digital effects unit, stage monitor, or any number of destinations. Choose the ZMX862 as the audio central command for your live performances, home studio, or video suite and be ready for any audio curveball.
High Headroom, Low Noise
Just because the ZMX862 is compact, portable and affordable doesn’t mean you have to make sacrifices. This compact mixer brings the same standard of quality to your performances as our top-of-the-line models. All Alto Professional ZMX mixers are designed with high headroom and ultra low-noise, discrete mic preamps so you always get the full dynamic range of your mix every time. Pristine sound. No compromises.
Visualize Your Mix
We designed every ZMX mixer with your performance in mind. Sometimes venues are dark and it can be hard to see what you’re working with. Alto Professional solves this problem by not only color coding each section of the mixer, but also by using brightly colored knobs so that you can easily find what you need to adjust before you ever lay a finger on the mixer. Our blue, red, yellow and white pots are instantly easy to identify in dim lighting. LED indicators for output level, peak, and phantom power also assist in making sure that you have multiple visual cues that compliment everything you’re hearing.
TECH INFORMATION
Input Channels: Mono channels (Ch. 1 – 2)
Microphone Input: Electronically balanced, discrete input configuration
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ≦0.005% at +4 dBu, 1 kHz
Gain range: 0 dB to 50 dB (Mic)
Maximum Voltage Gain: 70 dB Ch. Mic Input→Main MIx out & Tape out, 80 dB Ch. Mic input→Control room & Phones, 60 dB Ch. Mic input→Aux send
SNR (Signal to Noise Ratio): ≧110 dBu
Phantom power (Mic Pin 2 / Pin 3 and Pin 1): +48 V – with switch control
Line Input: Electronically Balanced
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ≦0.005% at + 4 dBu, 1 kHz
Gain Range: 15 dBu to 35 dBu
Stereo Channels: (Ch. 3 – 6)
Line Input: Electronically Balanced
SNR (Signal to Noise Ratio): ≧110 dBu
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ≦0.005% at + 4 dBu, 1 kHz
Gain range: -20 dBu to +20 dBu, 60 dB Ch. Line → Main Mix out
Maximum Voltage Gain: 20 dB FX return → Main Mix out, 20 dB RCA Tape input → Main Mix out
Impedance
Microphone Input: 3.9 kOhms
All Other Inputs: 10 kOhms or greater
Tape Out: 1 kOhms
All Other Outputs: 120 Ohms
Equalization
Mono Channels: High ±15 dB @ 12 kHz, Mid ±15 dB @ 2.5 kHz, Low ±15 dB @ 80 Hz
Stereo Channels: High ±15 dB @ 12 kHz, Mid ±15 dB @ 2.5 kHz, Low ±15 dB @ 80 Hz
Main Mix Section
Tape, Aux, Phones Output
Output level: 0 dBu Unbalanced, 1/4″ jacks, Max out +22 dBu Unbalanced, 1/4″ jacks noise (Bus Noise): ≦-90 dB @ 20 Hz – 22 kHz (channel & Main level at 0 dB, other at minimum, DSP mute)
Power supply: 18 V, 1500 mA
Rated Power Consumption: 18 W
Dimensions (WxLxH): 202mm x 250mm x 58mm
Weight: 3.75 lb
Focusrite Solo 2-in / 2-out USB Audio Interface Recording Bundle W/ Condenser Microphone And Headphones
Description
EVERYTHING YOU NEED TO RECORD GUITAR AND VOCALS AT THE SAME TIME You’ve found the simplest way to create incredible recordings of your music. Featuring the smallest USB audio interface we make, mic, headphones and all the cables you need to get started, Scarlett Solo Studio is ready to record every song you’ll ever write. YOUR SIGNATURE SOUND, ONE SIMPLE SETUP Scarlett Solo Studio helps thousands of musicians and songwriters share their music with the world every day. Featuring a natural sounding 3rd Gen mic preamp, and Air, emulating our original ISA preamps. With your songs and Scarlett Solo Studio Pack, you have everything you need to record in studio quality. THE BEST SOUNDING, EASILY Quick Start gets you set up and recording within minutes. Your CM25 MkIII mic captures every detail. Your HP60 MkIII headphones mean clear and comfortable mixing and monitoring. A 3rd Gen mic preamp, high-headroom instrument input and now-iconic Gain Halos mean the science of sounding great is sorted. We’ve worried about the tech, you can focus on the music. YOUR RECORDING IS 30 YEARS IN THE MAKING We’ve been making mic preamps for 30 years, and the 3rd Gen mic pre is the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. Our decades of experience mean Scarlett sounds just like you. OUR TECHNOLOGY IS SOUND Incredibly reliable, Focusrite hardware won’t let you down. If, however, you come across a problem you can rely on our global support team and your two-year warranty to get it sorted. Sound.
- Our simplest Scarlett USB interface, featuring the best performing Scarlett mic preamp the range has ever heard – now with Air
- CM25 MkIII condenser microphone, for making detailed studio-quality recordings
- HP60 MkIII professional closed-back headphones, for clear and comfortable audio playback, mixing and monitoring
- XLR and USB cables in the box, no power supply needed. Unpack, plug in, record
Focusrite SCARLETT-2I2-3RD-GEN 2 In /2 Out USB Recording Interface
Description
THE WORLD’S BEST SELLING AUDIO INTERFACE Scarlett has gone platinum. Sitting on the desks of a huge global community of musicians, producers and home-recordists, the iconic 2i2 has already helped make more records than any other interface in history. And with the 3rd Generation, you’re going to sound better than ever. YOUR MUSIC, WRITE AWAY Scarlett’s best-selling interface – millions of musicians use 2i2 to write and record every day. Featuring natural sounding 3rd Gen mic preamps, and Air, emulating our original ISA preamps, 2i2 is getting musicians the most from their mics everywhere, all the time. It’s like writing in a studio. THE BEST SOUNDING, EASILY Getting studio quality recordings at home has never been easier. Quick Start gets you set up, recording and playing back within minutes. Our mic preamps, high-headroom instrument inputs and now-iconic Gain Halos mean the science of sounding great is sorted. We’ve worried about the tech, you can focus on the music. YOUR RECORDING IS 30 YEARS IN THE MAKING We’ve been making mic preamps for 30 years, and the 3rd Gen mic pre is the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. Our decades of experience mean Scarlett sounds just like you. OUR TECHNOLOGY IS SOUND Incredibly reliable, Focusrite hardware won’t let you down. If, however, you come across a problem you can rely on our global support team and your two-year warranty to get it sorted. Sound
- Two of the best performing Scarlett mic preamps the range has ever heard – now with Air – for miking up guitars or recording vocals
- Two high headroom instrument inputs, for plugging your guitar or bass straight in
- High-performance converters, allowing you to record, mix and play back audio in studio quality, anywhere
- Quick Start tool, making it easier than ever to get up and running
Focusrite SCARLETT-4I4-3RD-GEN 4 In /4 Out USB Recording Interface
Description
EXPAND YOUR SETUP WITH EXTRA CONNECTIVITY Sitting on the desks of more musicians and producers than any other, the Scarlett range of audio interfaces means studio-quality sound for all your instruments – and 4i4 is the interface of more. Capture more of your ever-expanding setup with more inputs, more outputs and more connectivity. EXTENDED PLAY Plug in and produce; all your instruments, all the time. With two 3rd Generation preamps, four line-ins and four balanced outs – for synths, drum machines or looping hardware effects – our most connected bus-powered interface records wherever your instruments are. Spend less time plugging in and more time playing. THIS IS YOUR CUE Focusrite Control makes it simple to route your audio and cue mix, loopback and monitor mixes, from your Mac®, PC, iPad®, iPhone® or iPod touch®. Send, stream, sample – simple. THE BEST SOUNDING, EASILY Quick Start gets you set up, recording and playing back within minutes. Our mic preamps, high-headroom instrument inputs, iconic Gain Halos, clean and balanced fixed line I/O and MIDI connectivity mean the science of sounding great is sorted. We’ve worried about the tech, you can focus on the music. YOUR TRACKS ARE 30 YEARS IN THE MAKING We’ve been making mic preamps for 30 years, and the 3rd Gen mic pre is the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. Our decades of experience mean Scarlett sounds just like you. OUR TECHNOLOGY IS SOUND Incredibly reliable, Focusrite hardware won’t let you down. If, however, you come across a problem you can rely on our global support team and your two-year warranty to get it sorted. Sound.
- Four balanced line inputs, for connecting synths or other line-level audio, and four balanced outputs, for monitoring and effects sends
- Two of the best performing Scarlett mic preamps the range has ever heard – now with Air – for miking up guitars or recording vocals
- Two high headroom instrument inputs, for plugging your guitar or bass straight in
- Loopback, for grabbing a stereo feed of any combination of hardware inputs and software playback, no cables needed, for simple sampling, streaming or podcasting
Presonus TUBEPRE-V2 Single-Channel Tube Preamplifier/DI Box
Description
A versatile preamp with impressive dynamic range and detail. Compact and affordable, the ever-popular TubePre V2 professional tube preamplifier employs our popular XMAX Class A solid-state preamp, followed in the signal path by a 12AX7 vacuum-tube stage. A dual-servo (no capacitors) gain stage lets you boost the signal to smoking hot levels without significantly increasing noise. Discrete components and high-voltage operation offer dynamic range and detail not found in other single-channel tube preamps in its class. Built tough enough for serious gigging, the TubePre V2 is a great choice for guitars and microphones alike.
- XMAX Class A preamp input stage
- 12AX7 dual-servo vacuum tube output stage
- Input Gain control
- 48V phantom power
- 80 Hz high-pass filter
- -20 dB pad
- Instrument input select
- Polarity-reverse switch
- Backlit VU meter
- Clip LED
- Input/Output
- 1 unbalanced ¼” instrument input
- 1 balanced XLR mic input
- 1 unbalanced ¼” line output
- 1 balanced XLR line output
- Compact 1/3U rack-mount chassis
- External 12 VDC, 1A power supply
Presonus AudioBox 96 USB 2.0 Audio Recording Interface
Description
Simple, reliable, and portable. Whether you are a musician, producer, or podcaster on a tight budget, the AudioBox USB® 96 is for you! This simple, handy little recording interface has just the right features for basic recording needs, allowing you to plug in and start recording up to 24-bit, 96 kHz audio right away. Bus-powered and built to travel, the AudioBox USB 96 makes recording easy. Just the right size. The AudioBox USB 96’s two front-panel combo mic/instrument inputs make it ideal for singer/songwriters, podcasters, and guitar or guitar-bass collaborations. Simply connect a couple of mics and you have an easy-to-use stereo recording system. A mix control lets you control the level between the input signal and computer playback, without hearing annoying delays. You also get a pair of balanced line-level outputs, an ultra-loud, crystal-clear headphone out, plus MIDI I/O, so you can connect your favorite synth or MIDI controller. The result is a simple, affordable, mobile recording solution. Roadworthy and ready to travel. Here is a mobile interface in the best sense of the term. We gave the AudioBox USB 96 a heavy-duty steel chassis so it can take a serious pounding and remain completely reliable. Its screaming-loud headphone output ensures you can hear your music loud and clear, even in noisy locations. And it’s USB 2.0 bus-powered, so you can record with it anywhere you can use a laptop. Simply drop it in your laptop bag or slap it on a tabletop. World-class recording software included. While the AudioBox USB 96 works with virtually all Mac and Windows audio-recording software, it comes with a free license for PreSonus’ Studio One® Artist DAW, giving you a complete recording solution. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools.
Tascam US-4X4-CU 4-in/4-out Audio/MIDI Interface with HDDA Mic Preamps and iOS Compatibility
Tascam US-4X4-CU 4-in/4-out Audio/MIDI Interface with HDDA Mic Preamps and iOS Compatibility
Description
TASCAM’s US-4×4 combines great audio quality and ergonomic design for a powerful 4-in/4-out USB 2 audio interface. Four of TASCAM’s Ultra-HDDA mic/line preamps provide up to 57dB of gain with nearly inaudible noise and distortion specs. The audio design features high-performance, musical components like NE5532 op amps for rich sound quality without coloring the source. The US-4×4 includes class-compliant drivers for plug-and-play operation on Mac OSX and iOS devices like the iPad, and a simple driver adds ASIO compatibility for Windows. MIDI in and out are also included for connecting synths, drum machines, and controllers. The interface also includes a copy of Steinberg Cubase LE for Windows and Mac. With solid audio specs, iOS compatibility, and an easy-to-read angled design, the US-4×4 is the ultimate 4-channel interface for home, project, and mobile studios.
- Four Ultra-HDDA mic preamplifiers
- Four XLR or TRS (MIC/LINE) inputs with full +48V phantom power
- Four TRS analog balanced outputs
- Two headphone outputs – each with 45mW/ch output power
- Dedicated AC adapter is included
Focusrite 2I2 SCARLETT-STUDIO-3RD-GEN 2 In / 2 Out USB Recording Recording Bundle w/ Headphones and Condenser Microphone
Description
EVERYTHING YOU NEED TO RECORD AT HOME Sitting on the desks of a huge global community of musicians, producers and home-recordists, the iconic 2i2 has already helped make more records than any other interface in history. Featuring a mic, headphones and all the cables, Scarlett 2i2 Studio is everything you need to create studio-quality recordings at home. THE COMPLETE HOME RECORDING STUDIO Scarlett’s best-selling interface, millions of musicians use 2i2 to write and record every day. Featuring natural sounding 3rd Generation mic preamps, and Air, emulating our original ISA preamps, 2i2 is getting musicians the most from their mics everywhere, all the time. It’s like writing in a studio. THE BEST SOUNDING, EASILY Quick Start gets you set up and recording within minutes. Your CM25 MkIII mic captures every detail. Your HP60 MkIII headphones mean clear and comfortable mixing and monitoring. 3rd Gen mic preamps, high-headroom instrument input and now-iconic gain halos mean the science of sounding great is sorted. We’ve worried about the tech, you can focus on the music. YOUR RECORDING IS 30 YEARS IN THE MAKING We’ve been making mic preamps for 30 years, and the 3rd Gen mic pre is the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. Our decades of experience mean Scarlett sounds just like you.
- Our best-selling Scarlett USB interface, featuring two of the best performing Scarlett mic preamps the range has ever heard – now with Air.
- CM25 MkIII condenser microphone, for making detailed studio-quality recordings.
- HP60 MkIII professional closed-back headphones, for clear and comfortable audio playback, mixing and monitoring.
- XLR and USB cables in the box, no power supply needed. Unpack, plug in, record.