Cool MV-3 Broadcasting Microphone
As a dynamic microphone, the MV-3 is especially suited for broadcasting, webcasting and recording. It has a smooth and wide frequency response, and the pickup is clear and delicate. The cardioid polar pattern suppresses feedback and isolates the desired sound. It also includes 200Hz low cut and mid-high frequency boost switches, which can improve the sound clarity and presence. Dynamic microphones also record vocals very well, with a bit more of an intimate close up sound. A nice change from the typical large diaphragm condensers usually used. Microphones similar in design have also become the latest rage for live vocal microphones. MV-3 definitely looks the part.
MV-3 is made of a durable metal alloy, increasing durability. This coupled with a proprietary anti-shock device virtually eliminates all mechanical vibration and hand-held noise An integrated windscreen/pop filter is placed outside the grill, effectively filtering out peak noises.
- Dynamic Broadcast Microphone
- Polar Pattern: Cardioid
- Frequency Response: 50Hz-16KHz
- Sensitivity: -58dB(0dB=1V/Pa at 1KHz)
- Impedance: 200Ω（at 1KHz）
- Low Cut Filter: 200 Hz
- Weight 1lb 12 oz
https://youtu.be/4q66pDCSxMA
CAD STAGE4 4-piece Drum Microphone Pack – two D29, one D19, one D10
The CAD Stage 4 Drum Microphone Pack is an affordable 4-piece drum microphone package well suited for performing, rehearsing and project recording. The Stage 4 consists of the D10 cardioid dynamic kick drum microphone, two D29 tom microphones, and a D19 snare drum mic. All the microphones include mounting hardware and are shipped in a hard shell case for transport and storage.
https://youtu.be/AaFWZyDDcjI
Gator Frameworks GM-POP-FILTER Microphone Pop Filter
Microphone Pop Filter
Pop Filter
The GM-POP FILTER from Gator Frameworks provides the perfect protection against plosives and popping. This double-layered, split level filter attaches quickly to most standard mic shafts and booms with an adjustable C-clamp. Wind noise and plosives are drastically reduced through Gator’s 6″ nylon screen. Lightweight and adjustable, The GM-POP FILTER weighs in at just 2.5 pounds while extending up to 17″x5″x6.25″. Many mic screens exist, but only one is strong enough to be Frameworks.
- Nylon 6″ Screen Pop Filter
- 11.5″ Goose Neck and Clamp Included
- C-Clamp Will Fit Most Standard Microphone Stand Shafts and Booms
- Weights 2.5 lbs
- Fully Extends to 17″ x 5″ x 6.25″
Shure MV7-S XLR/USB Podcasting Microphone-Black
Inspired by the legendary SM7B, the MV7 is a dynamic microphone with both USB and XLR outputs for use with computers and professional interfaces alike. Connect via USB and explore additional set-up features and Auto Level Mode within our ShurePlus™ MOTIV app, to control your vocal tone, and distance from the microphone. With Auto Level Mode, you can let the microphone do the work for you.
Lewitt DTP 640 REX Double-power bass drum sound.
DTP 640 REX
- Dual-element instrument microphone
- Dynamic and condenser capsule in one housing
- Separate outputs for both capsules
- For kick drum and other bass-heavy sources
- Three switchable sound characteristics
- Cardioid polar pattern
Rode Wireless GO 2 -Dual channel, 2.4gHz wireless system with internal recorder
The world’s smallest and first truly wireless microphone has been reborn. The Wireless GO II is an ultra-compact and extremely versatile wireless microphone system consisting of a dual channel receiver and two transmitters. Incorporating the same unique form factor and professional sound quality as the original Wireless GO with groundbreaking, patent-pending technology, the Wireless GO II is the perfect microphone for a wide range of content creation applications.
The Wireless GO II boasts a range of powerful features, including universal compatibility with cameras, mobile devices and computers, extended range (200m line of sight) and improved transmission stability, on-board recording capabilities, and much more. This is next generation wireless audio.
Key Features:
- Dual channel wireless microphone system for recording two sound sources simultaneously
- Series IV 2.4GHz digital transmission, 128-bit encryption – crystal-clear audio at up to 200m (line of sight), optimised for extremely stable operation in dense RF environments
- 3.5mm TRS analog output, USB-C and iOS digital output – universal compatibility with cameras, mobile devices and computers
- On-board recording – over 24 hours of internal memory
- Option to record each channel separately or combine them for ultimate flexibility in post-production
- Safety channel, flexible gain control (three-stage pad, expandable to 10-stage)
- In-built rechargeable lithium-ion battery – up to 7 hours battery life
- Designed and made in RØDE’s precision manufacturing facilities in Australia
https://youtu.be/coSxxNIcHCs
Rode NT1-A Incredibly quiet 1″ cardioid condenser microphone, includes SM6 shockmount and 20′ cable
Rode NT1-A Incredibly quiet 1″ cardioid condenser microphone, includes SM6 shockmount and 20′ cable
The RØDE NT1-A 1″ cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the world’s most expensive microphones.
With a self-noise level of only 5dBA it is widely recognized (along with the NT1) as one the world’s quietest studio microphones. This low noise makes it an ideal vocal microphone as well as perfect for recording guitars and percussion.
Packaged in the ‘Complete Vocal Recording Solution’, the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording.
A studio grade pop shield and shock mount is included, along with a premium 20′ microphone cable, dust cover, and an downloadable instructional video packed with recording tips.
The RØDE NT1-A large diaphragm 1″ cardioid condenser microphone is designed and made in Australia, and covered by RØDE Microphones’ industry leading 10 year warranty.
https://youtu.be/oOy0EglZPRY
Rode NT1 Kit 1″ Cardioid Condenser Microphone-includes NT1 and SM6 shock mount.
The NT1 is a revolutionary new 1″ diaphragm condenser microphone from RØDE.
Although the body of the new NT1 closely resembles the NT1-A, the microphone has been completely redesigned from the ground up, with the only shared component being the mesh grille.
RØDE’s design engineers approached the NT1 as a marriage of innovation and tradition, starting with the capsule which is a completely new design. Codenamed the HF6, it is the perfect example of RØDE’s fusion of artistic design approaches and cutting-edge manufacturing techniques, and features a sound signature reminiscent of the famous microphones of old while at the same time exhibiting extremely low noise.
It has been developed with a focus on detailed midrange response, coupled with silky smooth high frequencies, and warm, round, bass reproduction to make the NT1 an absolute standout in its class.
In another world-first for RØDE, the transducer itself is suspended inside the microphone using Rycote’s industry-leading Lyre system, minimizing external vibrations at the capsule level. The capsule is then married to high-grade electronics that have been designed to provide the lowest noise level of any studio microphone available. The NT1 is an incredibly quiet microphone, measuring only 4.5dBA of self-noise.
Its body is machined from 6061 aluminium and then nickel plated for resistance against corrosion. Finally it is coated in a durable, military-grade ceramic layer, using advanced electrostatic application techniques developed by RØDE to ensure an extremely hard wearing finish that is resistant to scratches or marks.
The NT1 is supplied with the SM6, a high-quality suspension shockmount that provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. It includes a removable pop shield with two axes of adjustment and a telescopic arm for ultimate application versatility.
The NT1 is designed and made in Australia, and is covered by RØDE’s industry-leading 10 year warranty.
- Large diaphragm 1” gold-sputtered capsule
- Cardioid polar pattern
- Internal capsule shock mounting system
- Ultra-low noise, self noise of only 4.5dB (A)
- State-of-the-art surface mount electronics
- 10 year extended warranty when you register your microphone
https://youtu.be/PwOYTt7Y-Uc
NT1 SPECIFICATIONS
Acoustic Principle
Pressure Gradient
Active Electronics
JFET impedance converter with bipolar output buffer
Capsule
1.00″
Polar Pattern
Address Type
Side
Frequency Range
20Hz – 20kHz
Output Impedance
100Ω
Maximum SPL
132dBSPL
Maximum Output Level
8.0mV (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity
-29.0dB re 1 Volt/Pascal (35.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted)
4dBA
Power Options
Weight
440.00g
Dimensions
187.00mmH x 50.00mmW x 50.00mmD
Output
Warranty
1 year with free extension to 10 years
Rode NT3 Multi-powered 3/4″ cardioid condenser microphone. P48 and 9V battery powered.
The NT3 is the definition of a studio workhorse. Featuring an end-address 3/4″ gold-sputtered true-condenser transducer it provides incredible detail on almost any instrument you can imagine.
Intended for studio, stage and location work, this versatile handheld, stand or boompole mounted microphone will give great results on drums, percussion, acoustic guitar, guitar amps, piano and all acoustic instruments as well as detailed voice reproduction when used as a handheld presentation microphone or indoor boom mic.
For further versatility the NT3 can be powered by either P48 phantom power, or via a 9V battery for situations when power isn’t available via the console or camera. Its rugged and durable all-metal body and mesh head ensure that it is well protected both in the studio and out in the field.
The RØDE NT3 microphone is designed and made in Australia, and covered by RØDE’s industry leading 10 year warranty.
- True condenser externally biased 3/4” capsule
- Dual power operation
- Cast metal body with durable satin-nickel finish
- Transformerless output
- Internal capsule shock mounting
- High level of RF rejection
- Audio-grade surface mount components
- Full frequency response
- 10 year extended warranty when you register your microphone
NT3 SPECIFICATIONS
Acoustic Principle
Pressure Gradient
Active Electronics
JFET impedance converter with bipolar output buffer
Capsule
0.75″
Polar Pattern
Address Type
End
Frequency Range
20Hz – 20kHz
Output Impedance
200Ω
Maximum SPL
140dBSPL
Maximum Output Level
9.5mV (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity
-39.0dB re 1 Volt/Pascal (12.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted)
16dBA
Power Options
Weight
371.00g
Dimensions
206.00mmH x 32.00mmW x 32.00mmD
Output
Warranty
1 year with free extension to 10 years
Shure GLXD24/SM58 Digital Wireless Vocal System with SM58 Vocal Microphone
The GLXD24/SM58 Wireless Vocal System with SM58, an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction combines automatic frequency management with true digital diversity for a rock-solid wireless signal with exceptional digital audio clarity.
CAD U49 USB Side Address Studio Microphone
The u49 side address studio mic delivers high fidelity performance for your next creative project. Equipped with a true studio grade capsule, headphone monitor, mic volume and echo signal processing – The u49 delivers smooth, articulate audio reproduction. Outfitted with a tripod stand, mounting clip, USB cable and windscreen.
- Large Format Design
- High Sensitivity Studio Condenser Capsule
- Smooth and Articulate Reproduction
- Cardioid Pattern Resists Room Noise
- High Power Headphone Monitor
- Echo Signal Processing
- Includes Tripod Stand, Mounting Clip, USB cable and Windscreen
- 2 Year Warranty
- Polar Pattern Cardioid
- Frequency Response 20Hz – 20kHz
- Sensitivity -43dB
- Max SPL 124dB
- Headphone Output 125mW
Shure MV7-S XLR/USB Podcasting Microphone-Silver
Inspired by the legendary SM7B, the MV7 is a dynamic microphone with both USB and XLR outputs for use with computers and professional interfaces alike. Connect via USB and explore additional set-up features and Auto Level Mode within our ShurePlus™ MOTIV app, to control your vocal tone, and distance from the microphone. With Auto Level Mode, you can let the microphone do the work for you.
Shure BETA56A Snare/Tom Microphone
Snare and tom microphone for close miking. Equipped with shock mount for sound isolation, it features a dynamic locking stand adapter for simple set-up, a steel mesh grille for durability, and a neodymium magnet for high signal-to-noise ratio.
CAD D80 Side Address Large Diaphragm Cardiod Dynamic Cabinet/Percussion Microphone
The CADLive: D80 represents a durable, easy to place design possessing a unique sound profile. Used individually the CADLive D80 may be used to create the custom sound you wish from your guitar cabinets and percussion. D80 is a Large Diaphragm Moving Coil Dynamic that delivers a reminiscent, yet updated sound profile you would look for in a dynamic microphone. The D80 has a tight Super-Cardioiod polar pattern while supplying a hot output — ensuring outstanding performance on even the loudest stages.
WeissKlang V17 Large Diaphram Condenser Microphone
The WeissKlang V17 combines reliable characteristics with an uncompromising sound and is equipped with the newest technology. It’s very versatile and perfect for all demanding applications in professional recording environments.
The V17 utilizes a discrete semiconductor circuit with superior acoustic qualities, an excellent resolution and the highest sound pressure level transmission.
With a self-noise of <8 dB-A it’s very low-noise and offers a high dynamic range.
TransHarmonic™ provides both the sonic properties of tubes and the technical properties of transistors (self-noise, dynamic range, resolution).
The newly developed and patented TransHarmonic™ technology produces subtle and harmonic overtones, which contribute to the great resolution and the musical sound of V17 – and this without the use of tubes.
The overall tone gets an unmatched three-dimensionality with full low and mid-range frequencies as well as smooth high frequencies.
The new WMK-17 capsule is gold-sputtered, least sensitive at the rear (cardioid) and edge-terminated. The frequency range of 20 – 20.000 Hz allows an optimal recording of extremely low (and high) frequencies.
The frequency response is flat with a subtle and balanced high-frequency lift from 2 kHz. Therefore the capsule captures even the finest details and works with an excellent impulse response.
The circuit and the capsule are matched, in order to get the best possible acoustic properties.
Timeless and simple
The low-resonance body of V17 is made of copper and aluminium.
The slightly roughened and powder-coated surface is very resistant and durable.
The wire mesh headgrille protects the capsule from interferences and plosive sounds.
The included MA-1 shock mount isolates the microphone from physical vibration, floor and stand noise. The low frequency absorption goes up to 18 dB.
Equipped with a soft foam layer the MA-1 provides a stable and fast mounting with adjustable angle.
The flexible rubber bands offer an ideal isolation and are replaceable.
SPECIFICATIONS
Lewitt Audio LCT 140 AIR Small Diaphragm Condenser Microphone
Small diaphragm condenser microphoneLCT 140 AIR
- Choose between two distinct sound characteristics
- Great for acoustic guitar and drums
- Excellent transient response
- Cardioid polar pattern
Your mic for both, realistic and sparkling sound.
Do you prefer your instrument sounding 100% natural or rather have some sparkle on top? The LCT 140 AIR can do both. It features two sound characteristics, AIR and FLAT. You can easily switch to the sound that fits your purpose.
AIR adds top-end sparkle, while FLAT reproduces your sound as it is. Try both and capture the performance the way you want.
Two switchable sound characteristics
AIR or FLAT? Record the source the way you want.
AIR delivers an open, sparkling character. The right choice if you need great sound without spending time on post-production. FLAT provides a linear frequency response for “as-it-is” reproduction of drums, strings, acoustic guitars, and choirs. It is perfect if you aim for realistic sonic images. Check out the sound samples and hear for yourself.
Excellent transient response
Capture the natural sound of your instruments.
Transients are the DNA of your instrument’s sound. To retain the natural musicality of your instruments, the LCT 140 AIR delivers an excellent transient response. The natural characteristics of cymbals are captured accurately.
In any case, you get a punchy yet warm reproduction of your instrument’s unique sound.
Durable and light aluminum housing
It’s withstanding and easy to handle.
The LCT 140 AIR is very durable yet lightweight thanks to its CNC’ed aluminum housing. Positioning and setup become easy tasks.
Lewitt LCT 040 MATCH Small diaphragm condenser microphone
LCT 040 MATCH
- Well-balanced sound with pleasant high-end
- Made for acoustic guitar and drum recordings
- Durable and light aluminum housing
- Cardioid polar pattern
Your mic for easy instrument recordings.
You want professional sound right from the moment you hit “record”? With the LCT 040 MATCH recording instruments is as easy as it gets. Its tried and tested small diaphragm condenser capsule provides well-balanced sound with a pleasant high-end. The excellent transient response retains the natural musicality of your acoustic instruments – quick results with zero hassle.
The LCT 040 MATCH is a great tool to get recording work done in no time. You still have to perform well, though.
Well-balanced sound with pleasant high-end
With this sound, you’ll hit record right away.
The LCT 040 MATCH provides professionally refined sound, right from the moment you hit the “record” button. After thorough testing and adapting, we tailored the small diaphragm condenser capsule to give you a well-balanced sound with pleasant high-end. You’ll achieve professional results easily.
Made for acoustic guitar recordings
Record the feel of your favorite chord.
With its fast transient response, the LCT 040 MATCH makes your acoustic guitar sound crisp and defined. What you get is a mic for guitar recordings with fast attack and a sound that cuts through the mix.
Made for drum recordings
Capture the feel of your favorite groove.
Transients are the DNA of your instrument’s sound. To retain the natural musicality of your instruments, the LCT 040 MATCH delivers an excellent transient response. The natural characteristics of hi-hat and snare are captured accurately.
You get a punchy and precise reproduction of your drum kit’s unique sound
Durable and light aluminum housing
Light as a feather it outlives endless tours.
The LCT 040 MATCH is built to last yet it is lightweight thanks to its CNC’ed aluminum housing, weighing only 44 g or 1.6 oz. Together with its space-saving form factor positioning and setup become easy tasks.
Lewitt LCT 040P MATCH Matched Stereo Pair Condenser Microphones
Your mic for easy instrument recordings.
You want professional sound right from the moment you hit “record”? With the LCT 040 MATCH recording instruments is as easy as it gets. Its tried and tested small diaphragm condenser capsule provides well-balanced sound with a pleasant high-end. The excellent transient response retains the natural musicality of your acoustic instruments – quick results with zero hassle.
The LCT 040 MATCH is a great tool to get recording work done in no time. You still have to perform well, though.
Well-balanced sound with pleasant high-end
With this sound, you’ll hit record right away.
The LCT 040 MATCH provides professionally refined sound, right from the moment you hit the “record” button. After thorough testing and adapting, we tailored the small diaphragm condenser capsule to give you a well-balanced sound with pleasant high-end. You’ll achieve professional results easily.
Made for acoustic guitar recordings
Record the feel of your favorite chord.
With its fast transient response, the LCT 040 MATCH makes your acoustic guitar sound crisp and defined. What you get is a mic for guitar recordings with fast attack and a sound that cuts through the mix.
Made for drum recordings
Capture the feel of your favorite groove.
Transients are the DNA of your instrument’s sound. To retain the natural musicality of your instruments, the LCT 040 MATCH delivers an excellent transient response. The natural characteristics of hi-hat and snare are captured accurately.
You get a punchy and precise reproduction of your drum kit’s unique sound.
Durable and light aluminum housing
Light as a feather it outlives endless tours.
The LCT 040 MATCH is built to last yet it is lightweight thanks to its CNC’ed aluminum housing, weighing only 44 g or 1.6 oz. Together with its space-saving form factor positioning and setup become easy tasks.
Lewitt Audio LCT 440 Pure Condenser Microphone w/Gold-layered 1″ true condenser capsule.
YOUR MIC FOR PURE STUDIO SOUND.
The LCT 440 PURE uses the same high-end components and capsule technology as our prestige models. It features a very low self-noise of 7 dB (A) and handles sound pressure levels up to 140 dBSPL.
You will fall in love with its larger-than-life sound and build quality right away. No doubt about it; this is a mic for life.
SHINES ON VOCALS
The LCT 440 PURE provides larger-than-life vocals. Every detail of your voice is captured by the gold-layered 1″ true condenser capsule.
A shock mount that minimizes structure-borne noise and a magnetic pop filter are included. It perfectly integrates with the design of the microphone.
Amazing sound, great accessories, top-notch recordings.
The LCT 440 PURE achieves class-defining sound.
The 1″ true condenser capsule captures your signal with an impressive amount of depth and clarity. For the LCT 440 PURE, we use the same capsule and circuit design as with our prestige models.
We test every single capsule according to the highest quality standards. This way, you capture your individual personality and all the emotion you’ve put into your performance.
On-Stage MBP7000 Handheld Microphone Boom Pole
Designed for durability and performance, the MBP7000 is a great solution for ENG, EFP and other field recording applications. Our Boom Pole is machined from a sturdy and lightweight aluminum, which allows you to mount your microphone securely and follow your sound source with ease. Three telescopic rods utilize a twist-and-lock system; creating quick, simple and efficient settings extending the length from 3.1-8.1′.
MBP7000
Handheld Boom Pole
Great solution for ENG, EFP and other field recording applications
Follow your sound source with ease
Ergonomically spaced and comfortable EVA handgrips; one stationary at base of pole and a slidable handgrip for custom reach
Three telescopic rods with easy twist and lock settings extend the boom length from 3.1-8.1′
Standard 5/8″-27 threads with solid brass male end and internal 3/8″-16 threads
On-Stage MBP8000 Handheld Microphone Boom Pole w/ Carry Bag
MBP8000 Handheld Microphone Boom Pole w/ Cable
Ideal for ENG, EFP, film/TV/video and other field applications
Professional telescoping boom pole with internal cable extends from just 36 inches to 10 feet
Integrated coiled cable designed for optimal use without any pinching or working around it, even when pole is propped
Patented 5/8-27″ to 3/8″ reversible lug for universal miking
Soft EVA grip along length of lower shaft provides excellent grip
Handheld Microphone Boom Pole w/ Cable
Ideal for ENG, EFP, film/TV/video and other field applications
Professional telescoping boom pole with internal cable extends from just 36 inches to 10 feet
Integrated coiled cable designed for optimal use without any pinching or working around it, even when pole is propped
Patented 5/8-27″ to 3/8″ reversible lug for universal miking
Soft EVA grip along length of lower shaft provides excellent grip
Lewitt Audio MTP 550 DM Vocal Microphone
Dynamic vocal microphoneMTP 550 DM
- Tailored vocal sound
- Highly feedback proof
- Durable materials for longevity
- Cardioid polar pattern
Lewitt Audio MTP 440 DM Dynamic Cardioid Microphone
Dynamic instrument microphone MTP 440 DM
- Lively and punchy sound
- Works great for snare and amps
- Durable materials for longevity
- Cardioid polar pattern
Your mic for punchy, lively instrument recordings.
Our MTP 440 DM is tailored for your snare drum, wind instrument, or amp. It features a high-performance capsule that delivers remarkable sound, live and in the studio.
Fantastic sound on snare
Give your snare what it deserves.
Our MTP 440 DM features a high-performance capsule that delivers remarkably lively sound. Perfect for miking your snare drum.
The consistent cardioid pattern focuses the sound of your snare, live and in the studio.
Fantastic sound on amps
Your amp goes to eleven? So does the MTP 440 DM!
High-SPL sources like amplifiers are reproduced with high clarity and full details.
The slight bass roll-off and defined midrange provide a punchy and unique sound that works like a charm with cabs of any size.
Fantastic sound on wind instruments
Clear sounding wind instruments? Here’s how.
Wind instruments produce high sound pressure levels, not every microphone is capable of handling. Our MTP 440 DM has proven itself on countless stages.
Let your instrument have the clear sound quality it needs to stand out in the mix.