QSC TouchMix-30 Pro 32-Channel Professional Digital Mixer
TouchMix is quite simply the most powerful, compact mixer ever created. It offers the features, capabilities and sound quality of the world’s most esteemed large format consoles in a highly compact and portable package that’s small enough to be carry-on luggage. Perfect for musicians, larger bands, AV production professionals and performance venues, the TouchMix-30 Pro goes “Beyond Mixing” by offering Wizards, Presets and other beneficial tools that help seasoned audio professionals and novices alike get great results quickly and easily.
Its 32 mixing channels (24 Mic/Line, 6 Line, Stereo USB) and 16 outputs offer tremendous signal management flexibility for a wide range of applications. Advanced features such as class-A microphone preamps, Anti-Feedback and Room Tuning Wizards, two real-time analyzers (RTA), patch matrix, 32-channel direct-to-external-drive recording and DAW interface with MacOS® and Windows® computers make it equally competent as both a professional live sound and a recording tool.
The touch-and-turn interface of TouchMix allows for tactile control over fader and mixer parameters while also providing a hardware connection to mixer functions. Mixer functions and displays are duplicated via iOS or Android devices over Wi-Fi, providing both portable, wireless connectivity as well as additional control surfaces of mixer functionality.
With firmware version 2.0, TouchMix-30 Pro now supports 3 custom fader banks of 8 channels each, allowing versatile, personalized channel display for the most demanding users and applications. This latest firmware version also gives the TouchMix-30 Pro the capability to interface with select third party control surfaces with motorized faders using Mackie Control Protocol. Two modes of operation exist: TouchMix-30 Pro mixer wired to the control surface, or iOS tablet paired with the control surface and connected to the TouchMix-30 Pro mixer via Wi-Fi. The complementary new channel strips display presents controls and indicators for the selected fader group.
Key features include:
- Large (10-inch) multi-touch touchscreen offers a wealth of on-screen information while also providing confident hands-on control
- Anti-Feedback and Room Tuning Wizards simplify complex equalization tasks
- Two real-time analyzers (RTA) provide instantaneous display of channel tonal balance and room response
- Touch-and-route patch matrix provide easy “multing” and rearrangement of inputs
- 14 Aux mixes provide ample monitor configuration options
- Eight sub-groups with 6-band full parametric EQ, variable high- and low-pass filters and limiter may be linked for stereo
- A gain sharing Automatic Microphone Mixer is available for all 24 mic/line input channels
- 32-channel direct-to-hard drive record/playback — capture and recall performances without the need for an external computer
- 32-channel DAW interface with macOS® and Windows® computers allows for bidirectional I/O with popular workstation software
- MP3 playback direct from USB
- Download future upgrades directly from the Internet
Alto ZMX52 5-Channel Compact Mixer
Professional Mixing Features
The ZEPHYR ZMX52 is a 5-channel mixer with all the essential inputs, outputs, and EQ for solo gigs and multimedia studios. It features one mono channel with a microphone input (with Phantom Power), balanced TRS input, and a two-band EQ. It also delivers two stereo channels with two balanced TRS inputs each. There’s even two-track inputs for things such as audio playback. The ZMX52 is the perfect compact take-anywhere professional mixer.
Versatile Inputs and Outputs
The ZMX52 is the perfect mixer for quick, easy setups with no hassle. Not only can you can plug dynamic, condenser, and wireless microphones into the first channel, but you also get two stereo channel inputs for keyboards, drum machines, and other instruments. What’s more, you can easily plug in your MP3 player, CD players, or audio from a DVD player into the CD/TAPE input. But, you also have a dedicated stereo output to send to a recorder in addition to the main stereo outputs. Choose the ZMX52 as the audio central command for your live performances, home studio, or video suite.
High headroom, low noise
Just because the ZMX52 is the smallest, most affordable mixer we make doesn’t mean you have to make sacrifices. This compact mixer brings the same standard of quality to your performances as our top-of-the-line models. All Alto Professional ZEPHYR ZMX mixers are designed with high headroom and ultra low-noise, discrete mic preamps so you always get the full dynamic range of your mix every time.
Visualize your mix
We designed every ZEPHYR ZMX mixer with your performance in mind. Sometimes venues are dark and it can be hard to see what you’re working with. Alto Professional solves this problem by not only color coding each section of the mixer, but also by using brightly colored knobs so that you can easily find what you need to adjust before you ever lay a finger on the mixer. Our blue, red and white pots are instantly easy to identify in dim lighting. LED indicators for output level, peak, and phantom power also assist in making sure that you have multiple visual cues that compliment everything you’re hearing.
TECH INFORMATION
Dimensions (WxLxH): 128.1mm x 204mm x 38mm
Weight: 1.65 lb
Alto ZMX862 6-Channel Compact Mixer
Professional-Grade Mixing With a Small Footprint
The ZMX862 is a 6-channel, 2-bus mixer with the right amount of inputs, outputs, routing, and EQ for more intimate live performance reinforcement situations. Features two microphone inputs, each with with Phantom Power, the ZMX862 also has a three-band EQ, two aux sends per-channel for external effects and monitoring, and even two track inputs for things such as audio playback. The ZMX862 is a perfect, take-anywhere professional mixer.
Versatile Inputs and Outputs
The ZMX862 is a step up from our massively popular ZMX52 that adds more inputs and an extra band of EQ as well as a switch for phantom power. Not only can you plug dynamic, condenser, and wireless microphones into the first two channels, you also get two stereo channel inputs for keyboards, drum machines, and other instruments. Plus, you can easily plug in your MP3 player, CD player, or audio from a DVD player into the CD/TAPE inputs. But, you also have two AUX sends that you can use to send streams of audio from your mixer to a digital effects unit, stage monitor, or any number of destinations. Choose the ZMX862 as the audio central command for your live performances, home studio, or video suite and be ready for any audio curveball.
High Headroom, Low Noise
Just because the ZMX862 is compact, portable and affordable doesn’t mean you have to make sacrifices. This compact mixer brings the same standard of quality to your performances as our top-of-the-line models. All Alto Professional ZMX mixers are designed with high headroom and ultra low-noise, discrete mic preamps so you always get the full dynamic range of your mix every time. Pristine sound. No compromises.
Visualize Your Mix
We designed every ZMX mixer with your performance in mind. Sometimes venues are dark and it can be hard to see what you’re working with. Alto Professional solves this problem by not only color coding each section of the mixer, but also by using brightly colored knobs so that you can easily find what you need to adjust before you ever lay a finger on the mixer. Our blue, red, yellow and white pots are instantly easy to identify in dim lighting. LED indicators for output level, peak, and phantom power also assist in making sure that you have multiple visual cues that compliment everything you’re hearing.
TECH INFORMATION
Input Channels: Mono channels (Ch. 1 – 2)
Microphone Input: Electronically balanced, discrete input configuration
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ≦0.005% at +4 dBu, 1 kHz
Gain range: 0 dB to 50 dB (Mic)
Maximum Voltage Gain: 70 dB Ch. Mic Input→Main MIx out & Tape out, 80 dB Ch. Mic input→Control room & Phones, 60 dB Ch. Mic input→Aux send
SNR (Signal to Noise Ratio): ≧110 dBu
Phantom power (Mic Pin 2 / Pin 3 and Pin 1): +48 V – with switch control
Line Input: Electronically Balanced
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ≦0.005% at + 4 dBu, 1 kHz
Gain Range: 15 dBu to 35 dBu
Stereo Channels: (Ch. 3 – 6)
Line Input: Electronically Balanced
SNR (Signal to Noise Ratio): ≧110 dBu
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ≦0.005% at + 4 dBu, 1 kHz
Gain range: -20 dBu to +20 dBu, 60 dB Ch. Line → Main Mix out
Maximum Voltage Gain: 20 dB FX return → Main Mix out, 20 dB RCA Tape input → Main Mix out
Impedance
Microphone Input: 3.9 kOhms
All Other Inputs: 10 kOhms or greater
Tape Out: 1 kOhms
All Other Outputs: 120 Ohms
Equalization
Mono Channels: High ±15 dB @ 12 kHz, Mid ±15 dB @ 2.5 kHz, Low ±15 dB @ 80 Hz
Stereo Channels: High ±15 dB @ 12 kHz, Mid ±15 dB @ 2.5 kHz, Low ±15 dB @ 80 Hz
Main Mix Section
Tape, Aux, Phones Output
Output level: 0 dBu Unbalanced, 1/4″ jacks, Max out +22 dBu Unbalanced, 1/4″ jacks noise (Bus Noise): ≦-90 dB @ 20 Hz – 22 kHz (channel & Main level at 0 dB, other at minimum, DSP mute)
Power supply: 18 V, 1500 mA
Rated Power Consumption: 18 W
Dimensions (WxLxH): 202mm x 250mm x 58mm
Weight: 3.75 lb