Rode Wireless GO 2 -Dual channel, 2.4gHz wireless system with internal recorder
The world’s smallest and first truly wireless microphone has been reborn. The Wireless GO II is an ultra-compact and extremely versatile wireless microphone system consisting of a dual channel receiver and two transmitters. Incorporating the same unique form factor and professional sound quality as the original Wireless GO with groundbreaking, patent-pending technology, the Wireless GO II is the perfect microphone for a wide range of content creation applications.
The Wireless GO II boasts a range of powerful features, including universal compatibility with cameras, mobile devices and computers, extended range (200m line of sight) and improved transmission stability, on-board recording capabilities, and much more. This is next generation wireless audio.
Key Features:
- Dual channel wireless microphone system for recording two sound sources simultaneously
- Series IV 2.4GHz digital transmission, 128-bit encryption – crystal-clear audio at up to 200m (line of sight), optimised for extremely stable operation in dense RF environments
- 3.5mm TRS analog output, USB-C and iOS digital output – universal compatibility with cameras, mobile devices and computers
- On-board recording – over 24 hours of internal memory
- Option to record each channel separately or combine them for ultimate flexibility in post-production
- Safety channel, flexible gain control (three-stage pad, expandable to 10-stage)
- In-built rechargeable lithium-ion battery – up to 7 hours battery life
- Designed and made in RØDE’s precision manufacturing facilities in Australia
https://youtu.be/coSxxNIcHCs
Rode NT1 Kit 1″ Cardioid Condenser Microphone-includes NT1 and SM6 shock mount.
The NT1 is a revolutionary new 1″ diaphragm condenser microphone from RØDE.
Although the body of the new NT1 closely resembles the NT1-A, the microphone has been completely redesigned from the ground up, with the only shared component being the mesh grille.
RØDE’s design engineers approached the NT1 as a marriage of innovation and tradition, starting with the capsule which is a completely new design. Codenamed the HF6, it is the perfect example of RØDE’s fusion of artistic design approaches and cutting-edge manufacturing techniques, and features a sound signature reminiscent of the famous microphones of old while at the same time exhibiting extremely low noise.
It has been developed with a focus on detailed midrange response, coupled with silky smooth high frequencies, and warm, round, bass reproduction to make the NT1 an absolute standout in its class.
In another world-first for RØDE, the transducer itself is suspended inside the microphone using Rycote’s industry-leading Lyre system, minimizing external vibrations at the capsule level. The capsule is then married to high-grade electronics that have been designed to provide the lowest noise level of any studio microphone available. The NT1 is an incredibly quiet microphone, measuring only 4.5dBA of self-noise.
Its body is machined from 6061 aluminium and then nickel plated for resistance against corrosion. Finally it is coated in a durable, military-grade ceramic layer, using advanced electrostatic application techniques developed by RØDE to ensure an extremely hard wearing finish that is resistant to scratches or marks.
The NT1 is supplied with the SM6, a high-quality suspension shockmount that provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. It includes a removable pop shield with two axes of adjustment and a telescopic arm for ultimate application versatility.
The NT1 is designed and made in Australia, and is covered by RØDE’s industry-leading 10 year warranty.
- Large diaphragm 1” gold-sputtered capsule
- Cardioid polar pattern
- Internal capsule shock mounting system
- Ultra-low noise, self noise of only 4.5dB (A)
- State-of-the-art surface mount electronics
- 10 year extended warranty when you register your microphone
https://youtu.be/PwOYTt7Y-Uc
NT1 SPECIFICATIONS
Acoustic Principle
Pressure Gradient
Active Electronics
JFET impedance converter with bipolar output buffer
Capsule
1.00″
Polar Pattern
Address Type
Side
Frequency Range
20Hz – 20kHz
Output Impedance
100Ω
Maximum SPL
132dBSPL
Maximum Output Level
8.0mV (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity
-29.0dB re 1 Volt/Pascal (35.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted)
4dBA
Power Options
Weight
440.00g
Dimensions
187.00mmH x 50.00mmW x 50.00mmD
Output
Warranty
1 year with free extension to 10 years
Rode NT3 Multi-powered 3/4″ cardioid condenser microphone. P48 and 9V battery powered.
The NT3 is the definition of a studio workhorse. Featuring an end-address 3/4″ gold-sputtered true-condenser transducer it provides incredible detail on almost any instrument you can imagine.
Intended for studio, stage and location work, this versatile handheld, stand or boompole mounted microphone will give great results on drums, percussion, acoustic guitar, guitar amps, piano and all acoustic instruments as well as detailed voice reproduction when used as a handheld presentation microphone or indoor boom mic.
For further versatility the NT3 can be powered by either P48 phantom power, or via a 9V battery for situations when power isn’t available via the console or camera. Its rugged and durable all-metal body and mesh head ensure that it is well protected both in the studio and out in the field.
The RØDE NT3 microphone is designed and made in Australia, and covered by RØDE’s industry leading 10 year warranty.
- True condenser externally biased 3/4” capsule
- Dual power operation
- Cast metal body with durable satin-nickel finish
- Transformerless output
- Internal capsule shock mounting
- High level of RF rejection
- Audio-grade surface mount components
- Full frequency response
- 10 year extended warranty when you register your microphone
NT3 SPECIFICATIONS
Acoustic Principle
Pressure Gradient
Active Electronics
JFET impedance converter with bipolar output buffer
Capsule
0.75″
Polar Pattern
Address Type
End
Frequency Range
20Hz – 20kHz
Output Impedance
200Ω
Maximum SPL
140dBSPL
Maximum Output Level
9.5mV (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity
-39.0dB re 1 Volt/Pascal (12.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted)
16dBA
Power Options
Weight
371.00g
Dimensions
206.00mmH x 32.00mmW x 32.00mmD
Output
Warranty
1 year with free extension to 10 years
Mackie 402VLZ4 4-channel Ultra Compact Mixer
VLZ4 Series Analog Mixers
perfection
OF COMPACT ANALOG MIXER DESIGN
Mackie relentlessly pursues the perfection of the compact mixer. VLZ4 ups the level of sonic quality at every level, featuring Mackie’s flagship Onyx mic preamps and premium components from front to back. The result is the most rock solid, the most easy to use and, yes, the best sounding compact mixer ever created.
Now featuring Mackie’s flagship Onyx mic preamps, the comprehensive Mackie VLZ4 line delivers the proven feature set, high-headroom/low-noise design and “Built-Like-A-Tank” construction that created an industry more than 25 years ago.
From every input to every output, VLZ4 is optimized to deliver professional-quality results each and every time.
https://www.youtube.com/watch?v=6XxkE-gW1M0
Mackie 802VLZ4 8-channel Ultra Compact Mixer
Mackie relentlessly pursues the perfection of the compact mixer. VLZ4 ups the level of sonic quality at every level, featuring Mackie’s flagship Onyx mic preamps and premium components from front to back. The result is the most rock solid, the most easy to use and, yes, the best sounding compact mixer ever created.
NO-NONSENSE
COMPACT MIXER SERIES
Now featuring Mackie’s flagship Onyx mic preamps, the comprehensive Mackie VLZ4 line delivers the proven feature set, high-headroom/low-noise design and “Built-Like-A-Tank” construction that created an industry more than 25 years ago.
From every input to every output, VLZ4 is optimized to deliver professional-quality results each and every time.
https://www.youtube.com/watch?v=6XxkE-gW1M0
Mackie ONYX16 16-Channel Premium Analog Mixer with Multi-Track USB recording
Incredible sound quality, multitrack recording, and professional built-in effects make Onyx Premium Analog Mixers with USB the ultimate compact, affordable solution for live audio, home recording, and content creation.
SOUND AND VERSATILITY
If there’s one thing Mackie engineers can do in their sleep, it’s design a mixer that sounds great, is easy to use, and is packed with flexible features. Sounds pretty good right? So if you mix live sound, record in your home studio, or live stream, this is the heart of your audio.
- Ultra-clean, low-noise performance
- High-headroom Onyx mic preamps with up to 60dB of gain
- Full multi-track recording via USB at up to 24-Bit / 96 kHz quality
- Record a stereo mix direct to an SD card plus playback music files
- Professional, customizable built-in effects
- Onyx Studio Command – Full-color display makes FX control and SD card management easy
- Perkins “British Style” EQ offers classic sounds of the 60’s and 70’s with modern performance and accuracy
- Stream music directly into a channel via Bluetooth®
https://youtu.be/10nJ3TEVrrg
Shure GLXD24/SM58 Digital Wireless Vocal Microphone System with SM58 Vocal Microphone
The GLXD24/SM58 Wireless Vocal System with SM58, an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction combines automatic frequency management with true digital diversity for a rock-solid wireless signal with exceptional digital audio clarity.
PrimeCables® PC-S400e-b Premium 3.5mm Stereo Male to 3.5mm Stereo Female Extension Cable – Black – 6ft
o extend a 3.5mm stereo cable for headphone, earphone, earbud or any other 3.5mm stereo connection
Denon DN-508S 3-way Tri-Amplified Loudspeakers
The DN-508S is a compact 3-way tri-amplified speaker capable of exceptionally high performance, suitable for a variety of roles. It is ideal for situations where no-compromise acoustic performance is needed, but where complicated setups and elaborate stacks of external equipment are not feasible or possible. It features studio-grade acoustics, luxurious aesthetics, and innovative proximity controls for flexible placement options.
Top Shelf Components
The 220-watt DN-508S provides clear, dynamic sound reproduction for mid- and small-size meeting and presentation spaces. Combining 1-inch silk dome tweeter, a 5-inch woven Kevlar® midrange unit, and an 8-inch woven Kevlar® woofer, it offers a dynamic, wide-range frequency response, even exceeding the performance of speakers found in world-class recording studios.
Well-designed 3-way speakers—like the DN-508S—use a custom high-quality midrange driver specifically intended to cover the critical middle frequencies. Most of the everyday sounds we hear—voices, instruments like saxophone and guitar, naturally-occurring sounds like handclaps, footsteps and slamming doors—are midrange frequencies. Having a driver specifically dedicated to their reproduction maximizes clarity and detail, ideal for situations requiring exceptional speech intelligibility.
The midrange and tweeter are mounted in line with each other (the tweeter is mounted at the apex of the midrange) at precisely the same point in space. Doing so means the sound of the two drivers integrates perfectly, without the audibly-distracting time/arrival distortion of widely-spaced drive units. Instead, our in-line driver design propagates its output in a seamless, uninterrupted time envelope, markedly improving definition and clarity.
A fortuitous by-product of the in-line midrange/tweeter array is that the speaker’s cabinet is no larger than that of a conventional 2-way speaker.
The woofers and midrange are made of Kevlar®. This is an ideal driver diaphragm material: Incredibly strong, stiff and light (it’s even used in military body armor). It provides an incredibly fast transient attack, excellent sensitivity and great resistance to cone flexing and resonant breakup at high power levels.
The dome tweeter uses Ferro-fluid voice coil cooling for added reliability at high power inputs, and Its woven-silk diaphragm imparts virtually no harshness or “listening fatigue” at any SPL, as is often the case with less sophisticated tweeters.
Additionally, a concave integrated tweeter waveguide in front of the midrange cone precisely focuses and directs the treble energy into the listening field, ensuring a solid and stable sonic image while minimizing the random acoustic “scatter” that would otherwise cause the acoustic image to be unfocused and indistinct.
Finally, close attention was paid to the cabinet. It’s radiused at the edges to aid in dispersion and reduce audibly-destructive edge diffraction. The cabinet’s internal bracing has been optimized to ensure that the drivers have a solid, vibration-free platform from which to launch their sound, using computer calculations to determine the woofer port’s characteristics for the best possible bass response.
High-Powered Internal Amplification
Three individual internal amplifiers provide power to each of the three speaker elements. These amplifiers are specifically tailored to the drivers they are matched with, for seamless operation and system synergy that is virtually impossible to equal using bulky, expensive outboard amplifiers and passive speakers.
Smooth-sounding, high-current Class A/B amplification (220 watts total) provides the speaker with ample headroom for even the most demanding situations. The carefully selected crossover points divide the frequency spectrum into very precise bands so that each individual driver only handles the exact frequency range where it is most accurate.
The amplifiers have specialized internal output current limiting circuitry to protect against distortion and overheating, as well as a muting on/off circuit to prevent speaker transient on-off “pops.” There is also a subsonic filter and an external mains fuse. All of this ensures ideal amplifier behavior at all times, without any unpleasant noises or distractions.
Comprehensive Control and Adjustment Capability
The versatile three-band EQ (± 6dB at 100Hz, 1kHz, 10kHz) gives you the flexibility to shape the sound to match your listening environment, without the need for expensive external equalization. The switchable low-cut filter LF cutoff switch (flat, 60Hz, 80Hz) is perfect for tailoring the speakers’ bass response for use with an external subwoofer.
A three-position proximity control adapts each speaker’s bass response for placement next to or away from walls, so its sound is always clear and well-balanced, regardless of its position in the room. Standard VESA mounting holes on the bottom panel of each cabinet expand the user’s placement options from just tabletops and shelves to walls and ceilings. Balanced XLR and ¼-inch (6.3mm) inputs ensure simple connection to common audio sources.
Total Capability
Everything Denon Professional has done in the design of the DN-508S yields a speaker of uncompromised quality, with acoustics suitable for demanding, no-compromise applications and the build quality to deliver that performance year after year.
As a finishing touch, the DN-508S comes with a detachable metal grille framed by an elegant liquid-smoke metallic trim. When powered on, a blue LED assists with placement orientation. The grilles attach to the baffle board by way of hidden neodymium magnets, which ensures a smooth, fastener-free appearance, adding the final refined touch to its sophisticated design.
On-Stage ASMS4730 Isolation shield. Mounts on to standard mic stand. Vented aluminum surround panel with metal frame and 2″ acoustic foam.
Our ASMS4730 Isolation Shield mounts to a standard mic stand and shields a mic from background noise and reflections, improving the mic’s immediate recording environment. The shield adjusts in height and distance from the mic to facilitate effective positioning. For ease of transportation, the shield is solidly constructed from durable yet light-weight materials.
On-Stage MY320 Condenser Shock Mount Microphone Clip
Designed to reduce the effects of low-end rumble and floor vibrations, our MY320 Shock-Mount Condenser Mic Clip features a shock-absorbent rubber bridge between the connector and the grip. The slip-free rubber grip flexes to fit small-diaphragm condenser mics of various sizes and provides an additional layer of shock-absorption.
Application Shock absorbent mic clip for condenser microphones
Diameter 20 mm
Color Black
TouchMix-30 Pro 32-Channel Professional Digital Mixer
TouchMix is quite simply the most powerful, compact mixer ever created. It offers the features, capabilities and sound quality of the world’s most esteemed large format consoles in a highly compact and portable package that’s small enough to be carry-on luggage. Perfect for musicians, larger bands, AV production professionals and performance venues, the TouchMix-30 Pro goes “Beyond Mixing” by offering Wizards, Presets and other beneficial tools that help seasoned audio professionals and novices alike get great results quickly and easily.
Its 32 mixing channels (24 Mic/Line, 6 Line, Stereo USB) and 16 outputs offer tremendous signal management flexibility for a wide range of applications. Advanced features such as class-A microphone preamps, Anti-Feedback and Room Tuning Wizards, two real-time analyzers (RTA), patch matrix, 32-channel direct-to-external-drive recording and DAW interface with MacOS® and Windows® computers make it equally competent as both a professional live sound and a recording tool.
The touch-and-turn interface of TouchMix allows for tactile control over fader and mixer parameters while also providing a hardware connection to mixer functions. Mixer functions and displays are duplicated via iOS or Android devices over Wi-Fi, providing both portable, wireless connectivity as well as additional control surfaces of mixer functionality.
With firmware version 2.0, TouchMix-30 Pro now supports 3 custom fader banks of 8 channels each, allowing versatile, personalized channel display for the most demanding users and applications. This latest firmware version also gives the TouchMix-30 Pro the capability to interface with select third party control surfaces with motorized faders using Mackie Control Protocol. Two modes of operation exist: TouchMix-30 Pro mixer wired to the control surface, or iOS tablet paired with the control surface and connected to the TouchMix-30 Pro mixer via Wi-Fi. The complementary new channel strips display presents controls and indicators for the selected fader group.
Key features include:
- Large (10-inch) multi-touch touchscreen offers a wealth of on-screen information while also providing confident hands-on control
- Anti-Feedback and Room Tuning Wizards simplify complex equalization tasks
- Two real-time analyzers (RTA) provide instantaneous display of channel tonal balance and room response
- Touch-and-route patch matrix provide easy “multing” and rearrangement of inputs
- 14 Aux mixes provide ample monitor configuration options
- Eight sub-groups with 6-band full parametric EQ, variable high- and low-pass filters and limiter may be linked for stereo
- A gain sharing Automatic Microphone Mixer is available for all 24 mic/line input channels
- 32-channel direct-to-hard drive record/playback — capture and recall performances without the need for an external computer
- 32-channel DAW interface with macOS® and Windows® computers allows for bidirectional I/O with popular workstation software
- MP3 playback direct from USB
- Download future upgrades directly from the Internet
CAD U49 USB Side Address Studio Microphone
The u49 side address studio mic delivers high fidelity performance for your next creative project. Equipped with a true studio grade capsule, headphone monitor, mic volume and echo signal processing – The u49 delivers smooth, articulate audio reproduction. Outfitted with a tripod stand, mounting clip, USB cable and windscreen.
- Large Format Design
- High Sensitivity Studio Condenser Capsule
- Smooth and Articulate Reproduction
- Cardioid Pattern Resists Room Noise
- High Power Headphone Monitor
- Echo Signal Processing
- Includes Tripod Stand, Mounting Clip, USB cable and Windscreen
- 2 Year Warranty
- Polar Pattern Cardioid
- Frequency Response 20Hz – 20kHz
- Sensitivity -43dB
- Max SPL 124dB
- Headphone Output 125mW
Shure BETA56A Snare/Tom Microphone
Snare and tom microphone for close miking. Equipped with shock mount for sound isolation, it features a dynamic locking stand adapter for simple set-up, a steel mesh grille for durability, and a neodymium magnet for high signal-to-noise ratio.