Denon DN-508S 3-way Tri-Amplified Loudspeakers
The DN-508S is a compact 3-way tri-amplified speaker capable of exceptionally high performance, suitable for a variety of roles. It is ideal for situations where no-compromise acoustic performance is needed, but where complicated setups and elaborate stacks of external equipment are not feasible or possible. It features studio-grade acoustics, luxurious aesthetics, and innovative proximity controls for flexible placement options.
Top Shelf Components
The 220-watt DN-508S provides clear, dynamic sound reproduction for mid- and small-size meeting and presentation spaces. Combining 1-inch silk dome tweeter, a 5-inch woven Kevlar® midrange unit, and an 8-inch woven Kevlar® woofer, it offers a dynamic, wide-range frequency response, even exceeding the performance of speakers found in world-class recording studios.
Well-designed 3-way speakers—like the DN-508S—use a custom high-quality midrange driver specifically intended to cover the critical middle frequencies. Most of the everyday sounds we hear—voices, instruments like saxophone and guitar, naturally-occurring sounds like handclaps, footsteps and slamming doors—are midrange frequencies. Having a driver specifically dedicated to their reproduction maximizes clarity and detail, ideal for situations requiring exceptional speech intelligibility.
The midrange and tweeter are mounted in line with each other (the tweeter is mounted at the apex of the midrange) at precisely the same point in space. Doing so means the sound of the two drivers integrates perfectly, without the audibly-distracting time/arrival distortion of widely-spaced drive units. Instead, our in-line driver design propagates its output in a seamless, uninterrupted time envelope, markedly improving definition and clarity.
A fortuitous by-product of the in-line midrange/tweeter array is that the speaker’s cabinet is no larger than that of a conventional 2-way speaker.
The woofers and midrange are made of Kevlar®. This is an ideal driver diaphragm material: Incredibly strong, stiff and light (it’s even used in military body armor). It provides an incredibly fast transient attack, excellent sensitivity and great resistance to cone flexing and resonant breakup at high power levels.
The dome tweeter uses Ferro-fluid voice coil cooling for added reliability at high power inputs, and Its woven-silk diaphragm imparts virtually no harshness or “listening fatigue” at any SPL, as is often the case with less sophisticated tweeters.
Additionally, a concave integrated tweeter waveguide in front of the midrange cone precisely focuses and directs the treble energy into the listening field, ensuring a solid and stable sonic image while minimizing the random acoustic “scatter” that would otherwise cause the acoustic image to be unfocused and indistinct.
Finally, close attention was paid to the cabinet. It’s radiused at the edges to aid in dispersion and reduce audibly-destructive edge diffraction. The cabinet’s internal bracing has been optimized to ensure that the drivers have a solid, vibration-free platform from which to launch their sound, using computer calculations to determine the woofer port’s characteristics for the best possible bass response.
High-Powered Internal Amplification
Three individual internal amplifiers provide power to each of the three speaker elements. These amplifiers are specifically tailored to the drivers they are matched with, for seamless operation and system synergy that is virtually impossible to equal using bulky, expensive outboard amplifiers and passive speakers.
Smooth-sounding, high-current Class A/B amplification (220 watts total) provides the speaker with ample headroom for even the most demanding situations. The carefully selected crossover points divide the frequency spectrum into very precise bands so that each individual driver only handles the exact frequency range where it is most accurate.
The amplifiers have specialized internal output current limiting circuitry to protect against distortion and overheating, as well as a muting on/off circuit to prevent speaker transient on-off “pops.” There is also a subsonic filter and an external mains fuse. All of this ensures ideal amplifier behavior at all times, without any unpleasant noises or distractions.
Comprehensive Control and Adjustment Capability
The versatile three-band EQ (± 6dB at 100Hz, 1kHz, 10kHz) gives you the flexibility to shape the sound to match your listening environment, without the need for expensive external equalization. The switchable low-cut filter LF cutoff switch (flat, 60Hz, 80Hz) is perfect for tailoring the speakers’ bass response for use with an external subwoofer.
A three-position proximity control adapts each speaker’s bass response for placement next to or away from walls, so its sound is always clear and well-balanced, regardless of its position in the room. Standard VESA mounting holes on the bottom panel of each cabinet expand the user’s placement options from just tabletops and shelves to walls and ceilings. Balanced XLR and ¼-inch (6.3mm) inputs ensure simple connection to common audio sources.
Total Capability
Everything Denon Professional has done in the design of the DN-508S yields a speaker of uncompromised quality, with acoustics suitable for demanding, no-compromise applications and the build quality to deliver that performance year after year.
As a finishing touch, the DN-508S comes with a detachable metal grille framed by an elegant liquid-smoke metallic trim. When powered on, a blue LED assists with placement orientation. The grilles attach to the baffle board by way of hidden neodymium magnets, which ensures a smooth, fastener-free appearance, adding the final refined touch to its sophisticated design.
On-Stage ASMS4730 Isolation shield. Mounts on to standard mic stand. Vented aluminum surround panel with metal frame and 2″ acoustic foam.
Our ASMS4730 Isolation Shield mounts to a standard mic stand and shields a mic from background noise and reflections, improving the mic’s immediate recording environment. The shield adjusts in height and distance from the mic to facilitate effective positioning. For ease of transportation, the shield is solidly constructed from durable yet light-weight materials.
On-Stage MY320 Condenser Shock Mount Microphone Clip
Designed to reduce the effects of low-end rumble and floor vibrations, our MY320 Shock-Mount Condenser Mic Clip features a shock-absorbent rubber bridge between the connector and the grip. The slip-free rubber grip flexes to fit small-diaphragm condenser mics of various sizes and provides an additional layer of shock-absorption.
Application Shock absorbent mic clip for condenser microphones
Diameter 20 mm
Color Black
CAD U49 USB Side Address Studio Microphone
The u49 side address studio mic delivers high fidelity performance for your next creative project. Equipped with a true studio grade capsule, headphone monitor, mic volume and echo signal processing – The u49 delivers smooth, articulate audio reproduction. Outfitted with a tripod stand, mounting clip, USB cable and windscreen.
- Large Format Design
- High Sensitivity Studio Condenser Capsule
- Smooth and Articulate Reproduction
- Cardioid Pattern Resists Room Noise
- High Power Headphone Monitor
- Echo Signal Processing
- Includes Tripod Stand, Mounting Clip, USB cable and Windscreen
- 2 Year Warranty
- Polar Pattern Cardioid
- Frequency Response 20Hz – 20kHz
- Sensitivity -43dB
- Max SPL 124dB
- Headphone Output 125mW
Shure BETA56A Snare/Tom Microphone
Snare and tom microphone for close miking. Equipped with shock mount for sound isolation, it features a dynamic locking stand adapter for simple set-up, a steel mesh grille for durability, and a neodymium magnet for high signal-to-noise ratio.
CAD D80 Side Address Large Diaphragm Cardiod Dynamic Cabinet/Percussion Microphone
The CADLive: D80 represents a durable, easy to place design possessing a unique sound profile. Used individually the CADLive D80 may be used to create the custom sound you wish from your guitar cabinets and percussion. D80 is a Large Diaphragm Moving Coil Dynamic that delivers a reminiscent, yet updated sound profile you would look for in a dynamic microphone. The D80 has a tight Super-Cardioiod polar pattern while supplying a hot output — ensuring outstanding performance on even the loudest stages.
WeissKlang V17 Large Diaphram Condenser Microphone
The WeissKlang V17 combines reliable characteristics with an uncompromising sound and is equipped with the newest technology. It’s very versatile and perfect for all demanding applications in professional recording environments.
The V17 utilizes a discrete semiconductor circuit with superior acoustic qualities, an excellent resolution and the highest sound pressure level transmission.
With a self-noise of <8 dB-A it’s very low-noise and offers a high dynamic range.
TransHarmonic™ provides both the sonic properties of tubes and the technical properties of transistors (self-noise, dynamic range, resolution).
The newly developed and patented TransHarmonic™ technology produces subtle and harmonic overtones, which contribute to the great resolution and the musical sound of V17 – and this without the use of tubes.
The overall tone gets an unmatched three-dimensionality with full low and mid-range frequencies as well as smooth high frequencies.
The new WMK-17 capsule is gold-sputtered, least sensitive at the rear (cardioid) and edge-terminated. The frequency range of 20 – 20.000 Hz allows an optimal recording of extremely low (and high) frequencies.
The frequency response is flat with a subtle and balanced high-frequency lift from 2 kHz. Therefore the capsule captures even the finest details and works with an excellent impulse response.
The circuit and the capsule are matched, in order to get the best possible acoustic properties.
Timeless and simple
The low-resonance body of V17 is made of copper and aluminium.
The slightly roughened and powder-coated surface is very resistant and durable.
The wire mesh headgrille protects the capsule from interferences and plosive sounds.
The included MA-1 shock mount isolates the microphone from physical vibration, floor and stand noise. The low frequency absorption goes up to 18 dB.
Equipped with a soft foam layer the MA-1 provides a stable and fast mounting with adjustable angle.
The flexible rubber bands offer an ideal isolation and are replaceable.
SPECIFICATIONS
Laney AH300 AudioHub Multi Input Amplifier-15″ PA Speaker
All instruments welcome
The AH300 multi-input combo features 5 channels, 5-band graphic master EQ and Digital Delay and is designed to cater for a wide number of different instruments. Ideal for duo’s and medium sized gigs, or for bigger gigs it can be used as a personal monitor on stage! Its compact design is great for small stages and makes it easy to transport around. The AH300 delivers optimum performance, flexibility and sound quality for a wide array of audio inputs: Keyboards, E-drums, mics, acoustic and electric instruments and playback are all at home with the AH300 The principle behind the AH300 is simple: ALL INSTRUMENTS WELCOME!
DETAILS
FX loops are important as they allow you to add effects to the signal path in a specific place between the pre-amp and the output section on an amplifier. This is where FX loops are important as it allows you to put time-based FX after the distorted pre-amp section. For example, delayed distortion sounds different to distorted delay – try it.
The amplifier can be used in two orientations depending on the requirements. Rather than being used in the conventional upright mode, If the amplifier is to be used up close to the player, then the amplifier can be used in a “kicked back” orientation, meaning that the amps output is directed more towards a player’s ears.
Headphones socket with level control
The onboard digital effects have been custom designed by Laney. You have a choice of Reverb, Chorus, and Multi FX. Reverb positions have a variety of decay times from Plate through Rooms to Hall. Chorus positions have a various of Lengths/Delays & Multi FX have a different blend of Reverb/Chorus/Delay on each effects option.
KEY FEATURES
1 x 15” Custom woofer & HF Horn
XLR, jack and mini jack inputs
Line in
Line out
Master 5 Band Graphic EQ
Kick back format for personal monitoring
Great for gigs – 300 Watts
5 Channels – all instruments welcome
On-board Effects
FS1-MINI sold as accessory
FX Loop – insert type
https://youtu.be/c-R-bpVMuDs
JBL EON ONE COMPACT All-In-One Rechargeable Personal PA
The EON ONE Compact may be small enough to carry in one hand, but its sound is big enough to fill the room. You’ll be amazed at the 112 decibels of rich, crystal-clear sound produced across the entire range of this ultra-compact system, with deep, uncompressed bass even at high output levels. Its 8-inch woofer extends low-end response to 37.5 Hz—nearly an octave lower than other PAs in its class.
With your loudspeaker, amp, mixer, and effects all rolled up in one easy-to-carry package, you’ll lighten your load-in while maximizing the value of your gear investment.
Play more sets or teach more classes, confident in EON ONE Compact’s 12-hour battery life. Swap out batteries in seconds—no tools necessary—and quick-charge batteries in just 2.5 hours. You can even charge while the system is in use. (Additional batteries available separately.)
The EON ONE Compact offers more inputs than any system in its class. Two XLR/TRS combo jacks, one 1/4-inch hi-Z guitar input and one 1/8-inch aux input connect microphones, line-level instruments and audio playback sources; phantom power supports condenser microphones, and pro-grade preamps deliver full, rich sound from any microphone. Plus, a 1/4-inch passthrough lets you expand your system with additional EON ONE Compact units. Use the built-in headphone jack to rehearse privately or dial in presets before performances. Two high-power USB 3.0 ports allow high-speed charging of tablets, phones and select DJ devices.
For enhanced freedom and control, the JBL Compact Connect App allows you to control and stream Bluetooth audio to up to four EON ONE Compact speakers directly from your iOS or Android smartphone or tablet. With Compact Connect, you’ll have free reign over EON ONE Compact’s settings and capabilities, including its four-channel digital mixer, more robust EQ control, Lexicon effects, ducking, saving and recalling presets and much more.
Alto ZMX862 6-Channel Compact Mixer
Professional-Grade Mixing With a Small Footprint
The ZMX862 is a 6-channel, 2-bus mixer with the right amount of inputs, outputs, routing, and EQ for more intimate live performance reinforcement situations. Features two microphone inputs, each with with Phantom Power, the ZMX862 also has a three-band EQ, two aux sends per-channel for external effects and monitoring, and even two track inputs for things such as audio playback. The ZMX862 is a perfect, take-anywhere professional mixer.
Versatile Inputs and Outputs
The ZMX862 is a step up from our massively popular ZMX52 that adds more inputs and an extra band of EQ as well as a switch for phantom power. Not only can you plug dynamic, condenser, and wireless microphones into the first two channels, you also get two stereo channel inputs for keyboards, drum machines, and other instruments. Plus, you can easily plug in your MP3 player, CD player, or audio from a DVD player into the CD/TAPE inputs. But, you also have two AUX sends that you can use to send streams of audio from your mixer to a digital effects unit, stage monitor, or any number of destinations. Choose the ZMX862 as the audio central command for your live performances, home studio, or video suite and be ready for any audio curveball.
High Headroom, Low Noise
Just because the ZMX862 is compact, portable and affordable doesn’t mean you have to make sacrifices. This compact mixer brings the same standard of quality to your performances as our top-of-the-line models. All Alto Professional ZMX mixers are designed with high headroom and ultra low-noise, discrete mic preamps so you always get the full dynamic range of your mix every time. Pristine sound. No compromises.
Visualize Your Mix
We designed every ZMX mixer with your performance in mind. Sometimes venues are dark and it can be hard to see what you’re working with. Alto Professional solves this problem by not only color coding each section of the mixer, but also by using brightly colored knobs so that you can easily find what you need to adjust before you ever lay a finger on the mixer. Our blue, red, yellow and white pots are instantly easy to identify in dim lighting. LED indicators for output level, peak, and phantom power also assist in making sure that you have multiple visual cues that compliment everything you’re hearing.
TECH INFORMATION
Input Channels: Mono channels (Ch. 1 – 2)
Microphone Input: Electronically balanced, discrete input configuration
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ≦0.005% at +4 dBu, 1 kHz
Gain range: 0 dB to 50 dB (Mic)
Maximum Voltage Gain: 70 dB Ch. Mic Input→Main MIx out & Tape out, 80 dB Ch. Mic input→Control room & Phones, 60 dB Ch. Mic input→Aux send
SNR (Signal to Noise Ratio): ≧110 dBu
Phantom power (Mic Pin 2 / Pin 3 and Pin 1): +48 V – with switch control
Line Input: Electronically Balanced
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ≦0.005% at + 4 dBu, 1 kHz
Gain Range: 15 dBu to 35 dBu
Stereo Channels: (Ch. 3 – 6)
Line Input: Electronically Balanced
SNR (Signal to Noise Ratio): ≧110 dBu
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ≦0.005% at + 4 dBu, 1 kHz
Gain range: -20 dBu to +20 dBu, 60 dB Ch. Line → Main Mix out
Maximum Voltage Gain: 20 dB FX return → Main Mix out, 20 dB RCA Tape input → Main Mix out
Impedance
Microphone Input: 3.9 kOhms
All Other Inputs: 10 kOhms or greater
Tape Out: 1 kOhms
All Other Outputs: 120 Ohms
Equalization
Mono Channels: High ±15 dB @ 12 kHz, Mid ±15 dB @ 2.5 kHz, Low ±15 dB @ 80 Hz
Stereo Channels: High ±15 dB @ 12 kHz, Mid ±15 dB @ 2.5 kHz, Low ±15 dB @ 80 Hz
Main Mix Section
Tape, Aux, Phones Output
Output level: 0 dBu Unbalanced, 1/4″ jacks, Max out +22 dBu Unbalanced, 1/4″ jacks noise (Bus Noise): ≦-90 dB @ 20 Hz – 22 kHz (channel & Main level at 0 dB, other at minimum, DSP mute)
Power supply: 18 V, 1500 mA
Rated Power Consumption: 18 W
Dimensions (WxLxH): 202mm x 250mm x 58mm
Weight: 3.75 lb
Presonus TUBEPRE-V2 Single-Channel Tube Preamplifier/DI Box
Description
A versatile preamp with impressive dynamic range and detail. Compact and affordable, the ever-popular TubePre V2 professional tube preamplifier employs our popular XMAX Class A solid-state preamp, followed in the signal path by a 12AX7 vacuum-tube stage. A dual-servo (no capacitors) gain stage lets you boost the signal to smoking hot levels without significantly increasing noise. Discrete components and high-voltage operation offer dynamic range and detail not found in other single-channel tube preamps in its class. Built tough enough for serious gigging, the TubePre V2 is a great choice for guitars and microphones alike.
- XMAX Class A preamp input stage
- 12AX7 dual-servo vacuum tube output stage
- Input Gain control
- 48V phantom power
- 80 Hz high-pass filter
- -20 dB pad
- Instrument input select
- Polarity-reverse switch
- Backlit VU meter
- Clip LED
- Input/Output
- 1 unbalanced ¼” instrument input
- 1 balanced XLR mic input
- 1 unbalanced ¼” line output
- 1 balanced XLR line output
- Compact 1/3U rack-mount chassis
- External 12 VDC, 1A power supply
K&M 19665-BLACK Black Flange Adapter for 21420 -25mm with 4×6.5mm Plate
Suitable for 21420 or stands with tubing diameter of 25 mm. Designed to be inserted and screwed onto speaker enclosures. Plastic-coated steel flange, diameter 105 mm, depth 78 mm.
Product data
Bore holes:
diameter 6.5 mm (4 x)
EAN:
4016842106899
Function:
to screw into speaker, to slip on stand
Material:
steel
Suitable for tubing diameter of:
25 mm
Type:
black
Weight:
0.38 kg
K&M 210/2-BLACK Boom Microphone Stand The industry standard; stable and sturdy; zinc die-cast base; designed for heavy use.
Product data
Boom arm:
one-piece design
Boom arm clamping:
T-bar locking screw
Boom arm length:
800 mm
EAN:
4016842212200
Height:
from 900 to 1,605 mm
Height adjustment:
clutch
Leg construction:
socket with foldable legs
Material:
steel
Product Category:
Topline
Rod combination:
2-piece folding design
Size when folded:
105 x 85 x 960 mm
Special features:
the industry standard; stable and sturdy; zinc die-cast base; designed for heavy use
Threaded connector:
3/8″
Type:
black
Weight:
3.13 kg
Lewitt Audio LCT 140 AIR Small Diaphragm Condenser Microphone
Small diaphragm condenser microphoneLCT 140 AIR
- Choose between two distinct sound characteristics
- Great for acoustic guitar and drums
- Excellent transient response
- Cardioid polar pattern
Your mic for both, realistic and sparkling sound.
Do you prefer your instrument sounding 100% natural or rather have some sparkle on top? The LCT 140 AIR can do both. It features two sound characteristics, AIR and FLAT. You can easily switch to the sound that fits your purpose.
AIR adds top-end sparkle, while FLAT reproduces your sound as it is. Try both and capture the performance the way you want.
Two switchable sound characteristics
AIR or FLAT? Record the source the way you want.
AIR delivers an open, sparkling character. The right choice if you need great sound without spending time on post-production. FLAT provides a linear frequency response for “as-it-is” reproduction of drums, strings, acoustic guitars, and choirs. It is perfect if you aim for realistic sonic images. Check out the sound samples and hear for yourself.
Excellent transient response
Capture the natural sound of your instruments.
Transients are the DNA of your instrument’s sound. To retain the natural musicality of your instruments, the LCT 140 AIR delivers an excellent transient response. The natural characteristics of cymbals are captured accurately.
In any case, you get a punchy yet warm reproduction of your instrument’s unique sound.
Durable and light aluminum housing
It’s withstanding and easy to handle.
The LCT 140 AIR is very durable yet lightweight thanks to its CNC’ed aluminum housing. Positioning and setup become easy tasks.
Lewitt LCT 040 MATCH Small diaphragm condenser microphone
LCT 040 MATCH
- Well-balanced sound with pleasant high-end
- Made for acoustic guitar and drum recordings
- Durable and light aluminum housing
- Cardioid polar pattern
Your mic for easy instrument recordings.
You want professional sound right from the moment you hit “record”? With the LCT 040 MATCH recording instruments is as easy as it gets. Its tried and tested small diaphragm condenser capsule provides well-balanced sound with a pleasant high-end. The excellent transient response retains the natural musicality of your acoustic instruments – quick results with zero hassle.
The LCT 040 MATCH is a great tool to get recording work done in no time. You still have to perform well, though.
Well-balanced sound with pleasant high-end
With this sound, you’ll hit record right away.
The LCT 040 MATCH provides professionally refined sound, right from the moment you hit the “record” button. After thorough testing and adapting, we tailored the small diaphragm condenser capsule to give you a well-balanced sound with pleasant high-end. You’ll achieve professional results easily.
Made for acoustic guitar recordings
Record the feel of your favorite chord.
With its fast transient response, the LCT 040 MATCH makes your acoustic guitar sound crisp and defined. What you get is a mic for guitar recordings with fast attack and a sound that cuts through the mix.
Made for drum recordings
Capture the feel of your favorite groove.
Transients are the DNA of your instrument’s sound. To retain the natural musicality of your instruments, the LCT 040 MATCH delivers an excellent transient response. The natural characteristics of hi-hat and snare are captured accurately.
You get a punchy and precise reproduction of your drum kit’s unique sound
Durable and light aluminum housing
Light as a feather it outlives endless tours.
The LCT 040 MATCH is built to last yet it is lightweight thanks to its CNC’ed aluminum housing, weighing only 44 g or 1.6 oz. Together with its space-saving form factor positioning and setup become easy tasks.